Sam. Emma, and crew talk about the popularity of the DSA who want to use government to help the the people not just the wealthy few. Government working for the people. Notice how Chris Christy has to deny everything that Mamdani has managed to get done. Even though the evidence is documented he has to deny it. Donna Brazile who is a total corporate democrat who supports the entrenched establishment leadership wouldn’t speak up for Mamdani. Only the young guy did and even as he presented the facts the host let Christy talk all over him and mock him. Hugs
The gaslighting is telling the public to disbelieve anything that doesn’t make the dear leader good is on max. The below post will show how badly tRump is at picking contractors, selecting the desired result, and that everything he does is a grift to gain him money. This last few years it has been at the expense of every person who pays any kind of taxes to the US government. All while cutting every social safety net to the people of the country to give even more wealth to the most wealthy that tRump desperatly wants him and his family to be a member of. Hugs
President Donald Trump positioned himself as a swimming pool expert as he touted the Lincoln Memorial Reflecting Pool renovations he ordered this year, having put in “more than 100” over his career. But after spending $14 million, the reflecting pool now looks arguably worse than it did before. Aside from the green hue of the water, the product of what is reportedly one of the largest algae blooms in recent years, the “industrial-grade swimming pool topping” that Trump chose is already peeling off in sheets.
A man who gave his name as Sean told HuffPost that he had experience working on swimming pool coatings in the past, and did not seem surprised to see the peeling. “This is an epoxy,” he said of the coating. “This is something you would do on a concrete — on a shot concrete sort of pool where you have leaking. And then you spray this out. But in a pool, you’re dealing with a whole lot less square feet. So you can do special treatments on it … so it isn’t going to come back up.”
The advanced nanobubbler technology very effectively killed the algae that has plagued every Lincoln Reflecting Pool reopening—most infamously Obama’s reopening—since 1922.
The Reflecting Pool water is crystal clear, and our National Park Service team is now vacuuming up the dead algae resting on the bottom of some parts of the Reflecting Pool—just like the destroyed Iranian Navy resting on the bottom of the Persian Gulf.
The vacuuming is the final maintenance step after refilling the pool, and it will be complete in a few days. Already, the section of the Reflecting Pool closest to the Lincoln Memorial has been vacuumed up, and the beautiful American Flag Blue coating on the bottom of the pool can be seen clearly.
Previous administrations—most notably under Obama—failed to maintain the Reflecting Pool, and after refilling the pool, the water would quickly become murky and thick with massive clumps of algae floating on the surface.
Video below already has over 4.3 million views.
The videos I can’t post because they are on the horror experience are called X. But below are a few comments from site viewers.
When artists were invited to participate in what’s being called the Great American State Fair, they were promised that it was not political or partisan. And proving that point, Donald Trump will be kicking it off.
The Great American State Fair is described as a birthday bash to celebrate America’s 250th anniversary, and it will include a series of concerts on the National Mall from June 24 to July 10.
After several artists dropped out, including Morris Day and the Time, Young MC, the Commodores, Martina McBride and Bret Michaels, Trump took to Truth Social and said, “I understand Artists are getting ‘the yips’ having to do with their performance … so I am thinking about bringing the Number One Attraction anywhere in the World, the man who gets much larger audiences than Elvis in his prime, and he does so without a guitar, the man who loves our Country more than anyone else, and the man who some say is the Greatest President in History (THE GOAT!), DONALD J. TRUMP, to take the place of these highly paid, Third Rate ‘Artists,’ and give a major speech, rallying the Country forward like I have done ever since being President!”
The “yips” is what Trump has when he TACOs out or something. (snip-MORE)
Donald Trump had another mystery visit to a doctor’s office this week.
Three years ago, only 28% of Americans surveyed by a Washington Post-ABC News-Ipsos poll said Trump was NOT healthy enough to serve as president. Today, that same poll found that 55% of Americans don’t believe Donald Trump is healthy enough to serve as president. There needs to be a poll asking if he’s mentally healthy enough to be president.
Trump has always rambled incoherently, but it seems to be distressing people more now in combination with his cankles, hand bruises, swollen eyes, and excessive blinking. Shhhh…he’s sleepy.
Trump had a physical in April of last year, and then he had a semi-annual physical in October, and now he has gone back for his third physical in 13 months. Additionally, he’s been to a Dentist twice over the past five months, which surprises everyone. He still has his teeth? (snip-MORE)
All my life, I have heard people say they respect the office of the president, even if they do not like the current occupant. Even though I did not like or respect George W. Bush, I still respected the presidency. But it’s getting harder and harder to respect the office when the current occupant is holding cage fights on the south lawn.
Are we in gladiator times? Are we conducting fights on the self lawn to distract us from our troubles, like inflation, illegal tariffs, ICE goons shooting Americans in the streets, and Donald Trump’s chosen war? In addition to a gaudy oversize ballroom, should we also build a replica of the Roman Colosseum on the White House grounds? Is today’s Caesar, Donald Trump, going to give a thumbs up or a thumbs down to determine the fate of the loser of each bout? Will wenches be feeding Trump grapes during the fights? (snip-MORE)
Environmental activist Erin Brockovich is appealing to the public for help after launching a website to report data center concerns as the rapid expansion of AI-driven facilities across the United States increasingly clashes with local communities.
The appeal threatens to thrust an iconic anti-corporate activist into the heart of the battle to expand AI infrastructure at a time of growing public skepticism about the technology’s impact on jobs, safety and the environment.
The website, brockovichdatacenter.com, lists several “key concerns” surrounding such data centers, including high energy consumption that drives environmental impacts and costs, substantial water use for cooling that can strain local supplies, increased e‑waste from frequent hardware upgrades, exposure to location risks such as natural disasters or geopolitical instability, growing scalability pressures that can outpace local infrastructure, and constant noise from cooling systems and generators that can disrupt nearby communities.
“These challenges highlight the need for sustainable, secure, and efficient AI data center practices,” the website says. “Self-reporting is the best way we can get this information out to the public!”
A map on brockovichdatacenter.com shows major AI data centers in the U.S. that are either operational or under construction, overlaid with locations w…Read More | brockovichdatacenter.com
There are now more than 4,200 data centers—built to train, deploy and deliver AI—across the U.S., according to Data Center Map.
According to the website’s statistics, more than 2,716 reports have been submitted, with the most in Texas (612), as of Monday. The state is home to more than 460 data centers, according to Data Center Map.
The greatest concern among communities was water, followed by electricity, health and wildlife.
“The race to build AI infrastructures is unfolding town by town across America. In some places, data centers are welcomed. In others, they are delayed, contested or abandoned altogether. This map captures the real-world footprint of that race—revealing patterns of growth, conflict and uncertainty,” Brockovich said.
Virginia Long a hub for government contractors and cloud infrastructure, Virginia—particularly Northern Virginia’s “Data Center Alley”—offers proximity to federal agencies and one of the world’s densest fiber networks. Established infrastructure reduces build times and attracts hyperscalers looking to scale quickly.
Texas Texas combines vast, inexpensive land with a deregulated energy market that gives companies flexibility in securing large power loads. Cities like Dallas and Austin also bring a growing tech workforce and business-friendly policies that appeal to major AI investors.
Ohio Ohio has positioned itself as a Midwestern data hub, with strong incentives and central geographic access to U.S. population centers. Its legacy industrial sites are often repurposed for data centers, offering space and existing infrastructure at competitive costs.
Arizona Arizona’s dry climate is favorable for certain cooling technologies, while its abundant land and aggressive economic development incentives have drawn major tech firms. Phoenix, in particular, has become a key destination for new AI and cloud infrastructure builds.
Georgia Georgia, anchored by Atlanta, offers strong connectivity as a Southeast internet exchange hub. State and local tax breaks, combined with access to both talent and transport infrastructure, have made it increasingly attractive for large-scale data operations.
Utah Utah benefits from lower real estate costs, a stable regulatory environment, and access to renewable energy sources. Its growing tech sector, known as “Silicon Slopes,” provides an emerging talent pool to support AI-focused expansion.
Why companies are choosing these states:
Cheap land: Large-scale AI data centers require vast footprints; these states offer space at significantly lower costs than coastal markets.
Power access: Reliable, high-capacity energy grids, often with options for renewable sourcing, are critical for AI workloads.
Tax breaks: State and local governments are competing aggressively with incentives to attract long-term infrastructure investment.
Fewer regulations: Streamlined permitting and business-friendly policies enable shorter development timelines and reduced compliance burdens.
Trumpeter Robyn Steward thought clubs weren’t for her until she encountered Fabric’s accessible upgrade – the new home for her radically inclusive, space-themed night
Working the crowd … Robyn playing at one of her Robyn’s Rocket nights at Fabric. Photograph: Siân O’Connor
Until May last year, trumpeter Robyn Steward had never been in a nightclub space, save for playing trumpet with Lancaster duo the Lovely Eggs at London’s Heaven, and a few nights in a university hall that doubled as a lunch room. Steward is autistic and has multiple disabilities including cerebral palsy. “Sometimes strobes can trigger migraines for me, or feel overwhelming,” she says. “I feel like my body’s a bit lost.”
When she wanted to see a gig at Fabric nightclub in London, she asked a friend to go with her as a carer. “I was amazed at how accessible it was,” she says. Subtle touches integrate multiple access needs into the space. “The mezzanine level meant that I didn’t have the strobes in my face. There was a rail that I could hold on to, and there was seating opposite the balcony so I could sit and watch the gig.” She also noticed Fabric’s recently upgraded sensory dancefloor, which deliberately transforms sound into tactile vibrations to better cater for the hearing impaired. “I could see that the lights were strobing and everything, but I felt safe,” Steward says.
Inspired, she contacted Fabric to see if they might host her long-running, space-themed experimental music night Robyn’s Rocket, which since 2017 has been booking noise bands, DJs and improv groups in London venues from Deptford to Dalston. While it champions disabled and autistic performers and audiences, Robyn’s Rocket is principally about integration. “People with and without learning disabilities – and autistic and non-autistic people – should spend time together, where there isn’t any kind of power dynamic,” she says. Her aim is to create a space “where people are all just having a really nice time together”.
We meet in a music studio in Deptford, south London, the day before the Rocket’s first night at Fabric. Steward, 39, is relentlessly upbeat; straight after the interview, she heads to the shops where a friend helps her figure out an unspecific drinks rider request. It’s in keeping with the Rocket spirit of clarifying what might usually be assumed or implied. Online, she supplies detailed visual storyboards of how an evening will progress. All artists fill out detailed tech and access riders. Every box and cable is given a name, shape or colour. All Rocket gigs are livestreamed and timings are strictly adhered to so those streaming the gig don’t get lost. “The schedule, once it’s agreed, it’s pretty non-negotiable,” Steward says.
On arrival, everyone is presented with a silver rocket-shaped badge, angled up, across or down as a visual barometer of how much communication they’re comfortable with. Fabric is adorned with more than 100 posters: signposts always feature words and shapes and are populated with cartoon characters, human and alien. Silver foil covers the stage, and live projections from visual artist Rucksack Cinema are suitably astral. “You’re into new planets, are you?” crows the frontman of “cosmic dross” band Henge.
For Steward, the space theme is also about imagining an equitable new world. “You might meet somebody here with a learning disability, or an autistic person. You might not. But everyone is equal in this space.” The Robyn’s Rocket nights echo the aesthetic and political spirit of Afro-futurist jazz visionary Sun Ra and his Arkestra. “The idea that you can create a different dimension, almost a different planetary experience, at these events is very consistent,” says Mark Williams, co-founder of the Deptford-based arts charity Heart N Soul (where Steward is an associate artist). “It’s using imagination and creativity to free people, and to exist on a different kind of plane.”
Steward was born in Suffolk, and took to music when a tutor brought instruments to her primary school: “I really wanted to go on the trumpet, but they ran out of time, so I spent a whole week blowing raspberries.” The tutor returned for an assembly the next week, and Steward immediately requested the trumpet. “I played a clear note straight away.”
As an infant, Steward used Makaton (a language that uses a combination of signs, symbols and speech) to communicate until she attended Musical Keys, a group for children with special needs, aged three: “It was song based, and so I learned to speak that way – there was a lot of repetition.” Once she learned to speak, she wouldn’t stop; her parents got her a Dictaphone for long car journeys: “They’d say, ‘You can talk to this Dictaphone as much as you want, but leave us alone in the front.’ I would make my own radio shows that would come out sounding like Alan Partridge’s Knowing Me, Knowing You.”
Unlike her East Anglian counterpart, Steward is an excellent, direct communicator. The first half of her career was spent delivering autism training, speaking at conferences, and in research. She’s also written books such as The Autism-Friendly Guide to Self Employment. But, by age 30, Steward became “very conscious that I needed to think about what I want to spend the rest of my life doing”. She had recently learned to improvise on trumpet through the big band at a local adult education centre, and seeing a gig by trumpeter Andy Diagram (who plays the trumpet with guitar pedals) proved crucial to developing her own art. With the help of Heart N Soul, she built Robyn’s Rocket up from a small residency in Deptford to a regular slot at Cafe Oto in east London, later inviting musicians including Alabaster DePlume, Coby Sey and Mica Levi to perform.
The vocalist Seaming To played a Rocket night in 2024. “More and more friends of mine are realising that they have neurodivergent aspects,” Seaming To says. “And quite a lot of them find it really awkward coming out to noisy places. At Robyn’s night, you can admit to feeling awkward, and it’s all acceptable.”
On the night, Steward dons her trademark purple fedora and doubles up as space trumpeter and energetic MC. “I’ve done this gig partly because I just wanted to put Henge on,” she says, beaming from the stage. For all the very human practicalities of Robyn’s Rocket, Steward still has celestial ambitions. “And why wouldn’t you want to put them on in a homemade spaceship?”