I do it now and then, hadn’t in a while but really liked one so I did it but didn’t turn it in. (It’ll become clear.) Then I got a bunch of GOTV postcards done, and there it was, at the bottom of that stack. It so happened that another came along that I really liked (this one below,) so I added it, then submitted it. It got posted today, and even though it’s really not at all good, it’s funny, it was fun, and I thought I’d share. I’ve sent in several over the past year; dotted amongst the posts. The best one was of two dogs discussing a thing; a similar scenario as below, but not exactly the same. And I might try this one, too. I can draw fish. Anyway, here is this.

Cartoon Eight Nine Four by Josh Lieb

Limits Read on Substack

Underwater. A group of fish laugh at a wild-eyed fish, who glares at them with impotent rage. One of the laughing fish says: “Go ahead, Throckmorton! Tell us more about the ‘land’ outside the pond.”

First they laugh at you…

It’s Two-for-Tuesday, and that means for the second day in a row, we’re graced with an Ali Redford original. Today she tries her hand at eight nine one:

It’s simple, it’s bleak — I love it. And I love what a great contrast it makes with Margreet de Heer’s version from last week. Margreet, of course, is one of the world’s great cartoonists; Ali is a writer like me (though she does draw better than I do). It’s fascinating to see what the same cartoon looks like filtered through two very different brains.

Margreet’s doomed souls strained helplessly to pull the lever. Ali’s sufferer merely looks at it, puzzled. It’s the same set-up, the same pieces of furniture, but the joke is very different. This is the beauty of collaboration.

Thanks, Ali (and Margreet again). It’s great.

The rest of you — get off your duffs (or, more accurately, on them) and draw. (snip)

So now you know I thing I do when I’m not writing postcards or congresscritters, or cleaning house, or walking Corky, and so forth. Once in a while, I “draw”, sometimes even manage to really draw a cartoon based on a professional writer’s scene.