https://www.gocomics.com/lay-lines/2026/03/09

This one’s a couple of months old, but good for Women’s History Month.
Painter William Merritt Chase opened an art school for a new generation of women, teaching them how to draw as well as how to advocate for themselves.

William Merritt Chase with Parsons School of Design students via Wikimedia Commons
The story of the establishment of the Chase School of Art, forerunner of the Parsons School of Design in New York, offers an unlikely object lesson in what happens when you seek to realize your creative aspirations in an era of political and cultural upheaval. In 1896, the Impressionist painter William Merritt Chase was ready to declare independence from the rigid hierarchies of the New York art scene and its dependence on European masters and methods. He dreamed of establishing what he considered an explicitly American school of art, one that encouraged artists to embrace and portray the unique character and energy of the young nation and its people, and he needed money. To get it, he founded an experimental new school for painting in Manhattan that would, ironically, thrive on the burgeoning hopes of women in an era of their growing liberty and opportunity.
Best remembered for society portraits, plein air paintings, pastel seascapes, dead fish still lifes, and depictions of dancing white clouds, Chase suddenly found himself in an unfamiliar role: he was, if not quite an equal rights leader, then an ambitious artist who, in pursuing his own interests, opened avenues for women artists and played a part in establishing a new era of American art beyond his own envisioning.
As June L. Ness writes in Archives of the American Art Journal, Chase stood among the most influential artists and art teachers in the country at the turn of the twentieth century. He was on the faculty at the Art Students League, the Brooklyn Art Association, and the Pennsylvania Academy of the Fine Arts; he instructed a cadre of private students in his home studios and abroad; he lectured in Connecticut, Chicago, and elsewhere; and he oversaw a summer art school outside the Long Island town of Southampton.
A man of his times, Chase and his wife, Alice Gerson, an amateur photographer, ran at the limits of their finances. In 1896, as parents to four children, they faced a turning point. Chase wanted to quit teaching altogether and devote himself to painting. Yet the couple also wanted to maintain luxury residences in both the city and the country while traveling extensively but lacked the resources to sustain such a lifestyle. (snip-MORE, plus art!)
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Cadged these snippets from my Naked Pastor email:
| So when someone says, “You’re okay,” it can feel naive. Or rebellious. Or even offensive. But what if it’s neither naive nor rebellious? What if it’s simply true? Cartoon: You’re not broken ![]() Dad Joke: I’m confused ![]() Quote: The illusion ![]() Original: My Strength That Is Within Me ![]() Merch of the Week: Jesus Eraser Sticker ![]() |
Cartoon of the Week

I mean it.
Dad Joke
I keep saying “It is what it is,” but what even is it???
Quote
I recently saw a clip from a Leonard Cohen interview. She asked him about him spending time with Roshi in a Zen monastery. He said it was like a hospital, and Roshi was the doctor. The interviewer asked what he cured him from. Cohen replied, “The illusion that you are sick. He cured me of the illusion that I needed his teachings.”
You’re Okay!
| Let’s make this one short and sweet. I agree with Cohen. I also agree with Sinéad O’Connor’s therapist, who told her the whole point of therapy was to help her realize she didn’t need therapy. The same with Gabor Maté, who said that I am not broken, but just wounded. Underneath the wounds and pain is wholeness. A wholeness already there, just waiting to be embraced. These all ring true to me. When I share cartoons like the one here, The Best Healing, I get some positive comments, but also a lot of angry and offended ones. And I understand why. I, too, was raised to believe that I was born a sinner, deeply broken and flawed and depraved, in need of a saviour to redeem me. The whole theological system and enterprise is founded upon the assertion that I am a vile sinner who needs to be saved by a divine being.I know how difficult it is to walk away from this belief, because it’s not just a belief, but a whole worldview, an entire paradigm, complete with its religion, institution, scriptures, and priests. It’s like leaving the universe to start over in a new one. One that says you’re okay. It’s a radical step, and maybe you have taken it. I’m proud of you for that. |

Clay Jones Feb 27, 2026
I have posted roughs here and there since my stroke, but I haven’t done a blog of them. I didn’t expect to be drawing that many since it’s kind of difficult to draw, but lo and behold, I’ve been drawing a lot of roughs lately. To share those, I figure the best thing to do would be to bring back the blogs of roughs.
There may be a few of these that I have already published, but I can’t remember them all, and I’m not going back through my blogs to see what I have and haven’t published.

I’ve been sitting on this one for about two weeks. I like the idea of them being in the same location, with the tell being the Washington Monument.

I don’t remember if I shared this one already, but it was drawn on February 18. The cartoon I eventually drew and published that day was the right one.

I didn’t think this was going to work, and the two people I showed it to didn’t get it, even though they had seen the movie The Jerk. (snip-MORE)

Did you watch the State of the Union last night? If you didn’t, no worries. I got you. And if you did not watch, no one can blame you. At an hour and 47minutes, it was the longest State of the Union address to Congress ever, even breaking the previous record, which also belonged to Donald Trump. When it comes to giving long-ass boring speeches that don’t seem like they want to end, Donald Trump is the Fidel Castro of American politicians.
To give you the gist of the speech, I’ll share what a few writers from The New York Times stated: “A tedious, tiresome performance,” “crabby rambling,” “the heat mongering continues,” and “long, exhaustive, and repetitive.” The speech probably did very little to lift Trump up from his current 36% approval rating.
Trump didn’t give a lot of details of his agenda or programs last night, so he killed time by handing out awards like it was a game show because, you know, showmanship. He handed out two Congressional Medals of Honor, one Purple Heart, and the Presidential Medal of Freedom to a hockey player. These are all awards that Donald Trump would love to give himself. (snip-MORE)
(Really late on this next one…)

No particular reason, they simply strike me, so I’m sharing. Have some reading music, too.

https://www.gocomics.com/lards-world-peace-tips/2026/02/27

https://www.gocomics.com/jim-benton-cartoons/2026/02/27

https://www.gocomics.com/jerry-king-comics/2026/02/27

https://www.gocomics.com/heathcliff/2026/02/27

https://www.gocomics.com/freerange/2026/02/27

https://www.gocomics.com/foxtrotclassics/2026/02/27

https://www.gocomics.com/darksideofthehorse/2026/02/27
Enjoy your Friday, everybody!!
It’s stunningly good. Enjoy.
Posting especially because of the final photo, with which many of us can identify … 🤭
Jenny Lawson (thebloggess) Feb 16, 2026
Hello, friend!
Okay, confession time.
Last week I recorded the audiobook for How To Be Okay When Nothing Is Okay and then I collapsed in a limp pile of exhaustion, which is embarrassing because why is “just talking” for two days so hard? Regardless, I spent several nights that I would have normally been drawing while watching 90-Day-Fiance (don’t judge me) instead just hiding under the covers and recovering from being human in public for too long. And that’s why this week’s doodle is unfinished:

But the good news is that because it’s unfinished you can print it out and color it or draw on it and then you can share your version in the comments if you want. EVERYONE WINS.
Here’s a fun tip: I sometimes use the recolor app to upload my drawings and color them:

(PS. I’m not getting paid to plug them. It’s just a free app I stumbled on.)
So anyway…this is just to remind you that it’s okay to not hit every deadline (or any deadline) because you are so much more than your output. And so am I.
Thank goodness.
Hugs,
me

PS. As tax for not having a finished drawing, please accept this picture of a very sleepy Dorothy Barker intentionally laying on my art so that I will pet her instead of drawing.
Everyone’s a critic.
His wife joins him during this dance.
c’mon, everyone, Scottie can draw that toon! Cheer him on, and join him-draw one of your own! 🧑🎨
1. Start with a character

Will your character be an avatar of yourself? A plucky young heroine? A grizzled space pirate? A robot with feelings? Design your character with simple shapes that can easily be repeated from panel to panel. Put them in different poses, draw them far away and up close, from various views. Once the character starts moving on their own, you have the start of a story.

Draw the action from left to right, top to bottom across the page. The space between panels is called the gutter. In the gutter, time passes. This amount of time can be a millisecond (a character blinks) or an eon (a star collapses). Use small changes in expression and pose to show what the character is thinking and feeling. Add thought balloons and text bubbles for dialogue.

Make each character distinct in shape and personality. Let their form dictate their behavior and action. How do they complement or oppose the main character? What new direction can they take the story?
(Snip-this is a pretty long post with the art, so I’m snipping here. I wanted to leave the art big enough to be seen fairly clearly. We will know how our own toons end! Also, though I don’t recall thinking about it when I found this substack, no doubt there was subconscious inspiration from Michael Seidel’s blog. I read it over lunch.)