I bet the next election will be well attended and these people will lose their seats and new progressive inclusive people will win. That is what has happened all over when the right bigots and haters snuck into school board seats, they go too far trying to erase the LGBTQ+ kids / people from existence, then they get kicked out. Sadly by then the damage is done. What they hell do they want people perving on kids in the bathrooms for? To make the kids scared to use them and to make sure the weird kids are not doing weird gay stuff in them, right? Hugs. Scottie.
By the way. We have a hurricane headed right at us. It will be here Wednesday at around noon, but we have three days of wind and rain beforehand. It will hit at a class three. It is projected to hit just above us but could hit us directly. We will be spending the next few days getting as much done as possible, stocking in cat food Ron forgot and getting more gas and propane for the generator. It is unlikely that pole of ours will survive another storm as it is already leaning hard. Repair crews are already stretched thin in other areas so won’t be able to come rescue us in our time of need. Going to be a very long few months. Hugs. Scottie
YORK DISPATCH EDITORIAL BOARD
York Dispatch
At the risk of stating the obvious, South Western’s elected school board is making some strange decisions.
For the last two years, they’ve fixated on which bathrooms LGBTQ+ kids use. In 2023, officials in this Hanover-area district played musical chairs with school bathrooms in a misguided attempt to appease the loudest bigots among them — ending up with five different types of bathrooms.
After a low-turnout school board election in which several far-right members joined their ranks, they hired a Christian law firm, decided to begin banning books and reopened the bathroom issue. Board President Matthew Gelazela, who was elevated to his post after previously serving as the board’s most vocal bomb-thrower, pointed to Red Lion’s discriminatory policiesas something to aspire to.
These adults want to make it easier for other people to watch your children while they’re in the bathroom. It’s absolutely mind-boggling.
Gelazela, who’s steadfastly refused to explain the logic here, said in a public meeting that the windows help “[add] privacy in the toilet facility” and that they “increase oversight of the wash area.”
There’s a reason public restrooms tend not to have windows — or, if they do, they have frosted glass.
No one wants to be spied on when they’re relieving themselves.
The parents who spoke to The York Dispatch about the latest bathroom renovations said their children no longer feel comfortable using these bathrooms. One of the parents went to the principal and asked for an exemption to allow her son to use a different bathroom further away from class.
Her 13-year-old doesn’t want to be spied on while he’s in the bathroom.
And we don’t blame him.
It’s creepy and weird.
And let’s not ignore the bigger picture: This is happening at a time when this and other York County school boards are pushing policies that would restrict what books students read, what sports teams they compete on and even which pronouns they use.
All of this is part of an attempt to erase LGBTQ+ people.
Cutting a window into these bathrooms is an intimidation tactic designed to make sure students who use the so-called “gender-identity” facilities — and, let’s be honest, any student who doesn’t fit neatly into the worldview of the school board’s far-right majority — know they’re being watched, controlled and judged.
In their quest to punish LGBTQ+ kids, however, the misguided “adults” on this South Western School Board are doing the things they accuse others of doing.
This is an invasion of privacy and a waste of taxpayer dollars.
Nico Romeri, 17, joined an amicus brief supporting a policy that bars school personnel from disclosing students’ gender identities – and won
When Nico Romeri came out as transgender at 14 years old, he first shared the news with his closest friends and a therapist. The private conversations he had outside of the home helped him feel more comfortable to then approach his parents, who supported his transition. If anyone else had revealed his gender identity to his family on his behalf, he said it would have been disruptive to his coming out process.
“I really wanted to have a one-on-one discussion with them, where they knew I trusted them and they trusted me,” Romeri said. “Having that break of trust before you’re confident enough to tell other people is a huge deal.”
A recent ruling helps ensure that other trans students will have the protection to come out to their families when they’re ready. The case came about in May 2022 after a New Hampshire mother inadvertently learned from a teacher that her child used a different name and pronouns in school. The parent argued that the school policy, which advises school personnel not to disclose a student’s transgender status, infringed upon her ability to raise her child as she sees fit. Along with his mother, Heather, Romeri joined an amicus brief in support of the school policy.
In August, the New Hampshire supreme court upheld a lower court’s ruling on the school district policy, affirming trans and gender nonconforming students’ rights to privacy concerning their gender identities and presentation at school. The decision is the first such ruling to come out of a state supreme court, and according to Chris Erchull, senior staff attorney at GLBTQ Legal Advocates & Defenders, the ruling could set guidance for other states and federal courts fighting similar cases.
“When there’s no US supreme court precedent, federal courts have to look around at what other courts are saying for precedent,” said Erchull. “So it is going to be very powerful and persuasive.”
Erchull, who filed an amicus brief in the case, said it was critical for students to have a supportive framework that allows them to explore their gender identity in school.
Hearing that [my children are trans] from someone else would have been not good for our relationship
Heather Romeri
“It’s not a public school teacher or administrator’s place to make a decision about how and when to talk to families about these really intimate, sensitive matters,” he said. “It is in the best interest of everyone if the information comes from the student when the student is ready, on the student’s own terms.”
Policies on LGBTQ+ students’ right to privacy varies by school district throughout the nation. In 2015, the New Hampshire school board association issued a model policy to protect the privacy of trans students and to prevent discrimination, which was adopted by 48 of 196 school districts and charter schools, according to a 2020 ACLU New Hampshire report.
The policy was rescinded in 2022 due to conservative pushback, but some school districts, including Manchester, the largest in the state, continue to advise school personnel not to share a trans or gender nonconforming student’s identity to others without the child’s consent. In July, California became the first state to ban school district policies that require staff to notify parents when a child changes their name or pronouns.
Revealing a child’s gender identity or sexual orientation to their family when they’re not ready can lead to suicide and the child getting kicked out of their home, he added. LGBTQ+ youth are 120% more likely to experience homelessness than their cisgender and heterosexual counterparts.
For Heather Romeri, it is crucial that students make their own choices about who they disclose their gender identity to and when. “Two of my children are both trans, so they have both been able to come to me at their own time when they were ready to disclose the information they needed to,” she said. “Hearing that from someone else would have been not good for our relationship, not good for … our children [being able to come] out safely and happily.”
Nico Romeri has trans friends who haven’t shared their gender identity with their parents because they fear for their safety, Heather said. “They really believe they will be hurt or they will be kicked out of their house,” she explained. “They have [seen] others who have tried to come out to their parents, and it’s had negative repercussions to them emotionally.” She sees the victory of the New Hampshire ruling as a prime example for other states considering policies for LGBTQ+ students’ rights.
Now 17, Romeri said that he joined the amicus brief to support his friends who don’t have the same supportive environment to transition. “It’s really important to represent the people that can’t voice [their identity fully] and to keep the laws in place.”
A federal judge on Thursday dismissed a lawsuit from a Denver Public Schools parent who sought to force the district to honor his request to display “straight pride” flags in his children’s classrooms.
Nathan Feldman brought suit on behalf of himself and his two children, alleging discrimination and a violation of the First Amendment stemming from DPS declining to add a straight pride flag in his children’s classrooms alongside displays of LGBTQ pride flags.
In a June 26 order, U.S. District Court Judge Regina M. Rodriguez determined the pride flags amounted to the government’s own speech, which the First Amendment does not regulate. Therefore, a decision by DPS not to display a flag did not violate Feldman’s rights.
“DPS policy reflects careful consideration about what views can be expressed and that any expressions must reflect DPS’s policy of equality and inclusion. Accordingly, the Court finds that DPS has maintained control over the flag displays,” wrote Rodriguez, an appointee of President Joe Biden.
Feldman filed suit after school administrators allegedly allowed “non-binary and non-cisgender students to have flags displayed that represent their genders but not allowing Plaintiffs to have flags displayed that represent their genders.” He asked for damages of at least $3 million and for an order allowing him to display the straight pride flag.
A “straight pride” flag. Source: Feldman et al. v. Denver Public Schools et al.
DPS, in moving to dismiss the lawsuit, noted Feldman’s allegations were contradictory, as he simultaneously asserted “each” classroom at Slavens School had a pride flag and that “not all teachers displayed these flags.” Nonetheless, the district argued the display of flags constituted government speech, as DPS policy endorsed the use of LGBTQ pride flags as “symbols consistent with the District’s equity-based curriculum.”
“Plaintiffs assert that passing a resolution recognizing LGBTQIA+ students or staff without providing equal recognition to those who don’t so identify is an actionable distinction. Not so,” wrote the district’s attorneys.
Feldman responded that individual teachers at his children’s school made the decision to display pride flags. Therefore, DPS was not in control of the displays and they did not constitute the government’s own speech.
In August, U.S. Magistrate Judge Scott T. Varholak recommended that Feldman’s claims be dismissed. He cited a 2022 U.S. Supreme Court decision involving Boston’s practice of allowing private entities to fly flags outside city hall. The court did not find such circumstances amounted to speech by the government.
However, wrote then-Justice Stephen G. Breyer, “when the government speaks for itself, the First Amendment does not demand airtime for all views.”
“Here, DPS selected the Pride Flag, and not Plaintiffs’ Flag, as representing the message that DPS wished to convey,” Varholak wrote in deeming the flag displays governmental expression. “Conversely, there is no allegation that DPS had a history of accepting for display other flags submitted by the public.”
In this 2018 file photo, a supporters of the LGBTQ community fly a Pride flag in the Colorado Springs PrideFest Parade.
(Jerilee Bennett/The Gazette, File)
As for Feldman’s sex discrimination and equal protection claims, Varholak noted that unless there are allegations of unequal treatment, there is no legal claim based on the absence of a flag representing cisgender, heterosexual students.
“Plaintiffs plainly disagree with DPS’s selected messaging, and phrase this disagreement in constitutional terms,” he concluded, “but ultimately fail to allege any injury except exposure to a flag that they do not feel represented by.”
Feldman objected to portions of Varholak’s analysis, but Rodriguez, the district judge, concluded Feldman was either raising new arguments for the first time or had failed to show why Varholak was mistaken.
To the claim that displaying a flag is discriminatory when it repesents a different group’s sexual orientation or gender identity, “Plaintiffs offer no legal support for their argument,” she wrote, “and the Court finds none.”
Attorneys for both parties did not immediately respond to a request for comment.
The case is Feldman et al. v. Denver Public Schools et al.
October’s a big month for seasonal/vibe readers, because if there are three things you can count on filling shelves, it’s spooky season reads, Hallmark vibes, and, despite Christmas and Hanukkah being months away, winter holiday romances. This month’s roundup’s got all three, and they are a delight.
Best Hex Ever
Author: Nadia El-Fassi Released: October 1, 2024 by Dell Genre:LGBTQIA, Paranormal, RomanceA kitchen witch with a penchant for baking and a (literally) cursed love life meets someone who’s worth breaking a hex for in this sweet and spicy debut romance.As a skilled kitchen witch, Dina Whitlock knows her way around a pastry recipe. In fact, she runs her very own London café serving magic-infused pastries for her loyal customers. But only a select few friends know about her magical abilities or the hex that has plagued her love life. It’s hard to fall in love when your partner is guaranteed to have a string of bad luck the second they start to have feelings for you.Scott Mason is back from traveling the world and is excited to begin his new job as a curator at the British Museum. After leaving London to heal from a brutal breakup two years ago, Scott only now realizes how much he missed out on. Now that his best friend’s wedding is right around the corner, Scott is determined to be the most amazing best man ever, but he doesn’t expect to be bewitched by the maid of honor, who also happens to be the owner of his new favorite café and, more surprisingly, a witch?!After a weekend in the countryside full of peculiar hedge mazes, palm readings by candlelight, and a midnight Halloween ritual, there’s no denying the chemistry between them. But there’s just one problem: The hex still holds, and Dina knows that Scott is in danger. In the past, she’s always cut her losses, but this time is different. Scott could be the one. Will Dina be able to undo the hex, before it’s too late?Neither this blurb nor this cover gave away to me that this was a queer romance, but in addition to Dina being the first main character of Moroccan descent I’ve read, she is indeed bisexual, which is pretty central to the story. If you love reading cozy, witchy romances in fall, especially with spice (literal and figurative), this one’s got all the delicious autumnal vibes.Add to Goodreads To-Read List → (snip-MORE)
We Could Be So Good RECOMMENDED: We Could Be So Good by Cat Sebastian is $1.99! Thanks to everyone who let us know about this deal; fingers crossed it’s still active! Lara gave this one an A: TL;DR: Read this book if you’d like to be swept along safely in a rising tide of emotion, predominantly love. Nick Russo has worked his way from a rough Brooklyn neighborhood to a reporting job at one of the city’s biggest newspapers. But the late 1950s are a hostile time for gay men, and Nick knows that he can’t let anyone into his life. He just never counted on meeting someone as impossible to say no to as Andy. Andy Fleming’s newspaper-tycoon father wants him to take over the family business. Andy, though, has no intention of running the paper. He’s barely able to run his life—he’s never paid a bill on time, routinely gets lost on the way to work, and would rather gouge out his own eyes than deal with office politics. Andy agrees to work for a year in the newsroom, knowing he’ll make an ass of himself and hate every second of it. Except, Nick Russo keeps rescuing Andy: showing him the ropes, tracking down his keys, freeing his tie when it gets stuck in the ancient filing cabinets. Their unlikely friendship soon sharpens into feelings they can’t deny. But what feels possible in secret—this fragile, tender thing between them—seems doomed in the light of day. Now Nick and Andy have to decide if, for the first time, they’re willing to fight. Add to Goodreads To-Read List →
Benny Briolly beams as she strides through the concrete favela alleyway of Brazil’s city of Niteroi in a snow-white ball gown, onlookers proudly wave campaign flags emblazoned with her face. The city councilwoman and nearly 1,000 other transgender politicians are running Sunday in every one of Brazil’s 26 states, where the number of transgender politicians has tripled since the last elections four years ago.
Full confession; this is an article from Sojourners Magazine. I subscribe, and I brought the whole piece here, for those who may wish to read it but don’t want to go on a Christian site. I did not see anything besides that to warn about; there is discussion of church but not of bad happenings. However, if I missed something, I am so sorry; if you would be able to let me know in comments, that helps me learn what I should look for. This article struck me as something that should be at Scottie’s Playtime.
This interview is part of The Reconstruct, a weekly newsletter from Sojourners. In a world where so much needs to change, Mitchell Atencio and Josiah R. Daniels interview people who have faith in a new future and are working toward repair. Subscribe here.
Flamy Grant called in to her morning interview after participating in a day-long silent retreat. Well, not a silent retreat exactly — it was a vocal rest.
After spending the last year touring the U.S. off the success of her album, Grant, who prefers to use her stage name in interviews, needed to rest her voice. Since her rise to Christian music stardom — or infamy, depending on how one feels about a drag queen topping the Christian charts — she has performed in bars, clubs, and churches spreading the good news in glitter.
Since then, Grant has collaborated with artists like Semler, Derek Webb, and Jennifer Knapp. And she has spoken out for LGBTQ+ rights, joining a lawsuit against the state of Tennessee in 2023.
A few weeks before the release of her second album, CHURCH, Grant and I spoke about her time touring the country, writing songs in drag, leaving the church but still going to churches weekly, and more.
Coincidentally, as the interview ended, Amy Grant’s “Lucky One” began playing over the hotel lobby’s speakers.
[Editor’s note: This interview was performed before Hurricane Helene devastated many regions in the South, including Flamy Grant’s hometown of Asheville, N.C. Grant and her team canceled shows in North Carolina, but continue touring in Georgia and Nashville this week before touring the West Coast.]
This interview has been edited for length and clarity.
Mitchell Atencio: How is touring? What have you heard from folks while on the road?
Flamy Grant: I feel like I’ve been on tour pretty much nonstop for the past year. A year ago I quit my day job and moved back to Asheville, N.C., where I was born and raised. And honestly, this is not even an exaggeration, I’ve spent more time on the road than I have in my bedroom at home.
This [tour], though, is very different. I’m on a tour with two other acts and a full band. Mostly, I’ve just been solo on the road, which I love in a lot of ways because I’m actually very much an introvert.
We’re only in our second week right now of the “No More Trauma” tour, and the response has been amazing so far. Now that I’m a year in, there have been people who’ve come up to me to say hello afterwards, and [they say], “This is our third or fourth time seeing you!” And I’m like, I’ve really only been doing this full-time for a year. What do you mean the third or fourth time? It is really cool to know that there’s this community and fan loyalty.
My favorite moment on tour so far was in St. Louis. We were getting ready, there was no green room at the venue, so I was literally just painting my face in front of the windows, right outside where the line was forming to get in. There was this family — a mother and a little girl, around 7-9 years old. She had a sign, painted in full rainbow lettering, that said, “This is my first concert!” And she was just holding it up to the window. So I popped out to say hello, and they had driven two hours to St. Louis to come to this show. Her name was Claire, and I’m her favorite artist, and I’m her first concert.
That was wild because it just threw me back to when I was that age and excited about music and wanting to go to concerts for the first time. Everybody always asks that question, “What was your first concert?” throughout your entire life. And now Claire is always going to say, “I saw a drag queen in St. Louis.”
Now I’m curious what your first concert was.
Clay Crosse. He had quite a big hit with that song “I Surrender All” in the ’90s. I just loved him. I probably had a crush on him, if we’re being honest. He had that classic jawline, that beautiful blonde hair, and yeah, I was obsessed with him. My parents couldn’t take me, so I roped one of my friends from church and got his dad to drive us down to this show. What I remember most about it was that Jaci Velasquez opened and she was so good. She was phenomenal.
Mine, for fairness, was the Newsboys back when Peter Furler was still leading them. Speaking of touring, I noticed you have a different booking process for churches and for “traditional venues” like bars and clubs. Why is that?
That’s been interesting to navigate. I feel like I’m definitely straddling two worlds. I very much want to be taken seriously as a musician and songwriter. The drag can sometimes be a little bit of a barrier to that, because people tend to see drag and think it’s a gimmick or, they just immediately associate it with Sunday drag brunch or weekend clubs.
I have done a fair bit of that, especially early on, but I’m a singer-songwriter and I write my own original music, and I happen to perform in drag. It’s been a challenge to convey that as we’re booking and marketing shows. My booking agent is fantastic, and she’s been really good at helping people understand that they’re booking a singer-songwriter who needs an extra hour in the green room to get ready.
What happened last year, with “Good Day” hitting number one, so many churches reached out and the first question was, “Can we do ‘Good Day’ in Sunday worship?” And I’m like, of course you can, just make sure they know it’s written by a drag queen. The next question was, “How do we get you to come?” Either on a Sunday morning or to do a special concert on an evening.
Because I know the church world and was a worship leader for 22 years, it just makes more sense for me to book those myself. I don’t generally go out seeking church bookings, those really do come to me, and that’s a gift in so many ways.
I’ve played in over 50 churches in the last year. Some want to integrate me into their Sunday morning service, I’ll be part of the service planning, and we’ll have a song during communion or the offertory. Others want to bring me in on a Saturday night and have me come sing to their congregation and community.
I have officially left the church myself. The last church I was involved in was in San Diego, I was a worship leader there for 8-and-a-half years and it closed down after the pandemic. I have not sought out a new church home since then, but I’m still in churches a lot.
You’re in churches about once a week — that’s more than many church members. What makes writing music as Flamy Grant feel different? How does one write songs in drag?
In some ways, there’s no difference at all. At the end of the day, I’m just writing about my experiences. Derek Webb says the artist’s role is just to look at the world and speak about it. That’s so much of what I’ve done since I was 9 years old when I wrote my first song. That process of songwriting doesn’t necessarily feel all that different.
And yet, there is this shift in the tone and subject matter of what I write about, because my life has changed so dramatically. And drag is a huge part of that change.
Flamy Grant poses for a photo. Photo by Ash Perlberg/Courtesy Flamy Grant
It’s been really fun to feel like I’m excavating parts of myself that have been dormant or suppressed for so long. [Drag] definitely changes the subject matter of what I’m writing about.
And it’s been there all along, I just haven’t allowed myself the pleasure and joy of exploring the range of my own gender identity, even the range of my physical voice. Being able to play with how I sing a song or a lyric, it’s opened up a world of songwriting to me. There are times now, when I’m writing, where I do think about what this is going to look and feel like on stage, in drag, in a big wig with sequins and glitter on my face and all of this.
I still love to write a gut-punch ballad; that’s one of my specialties. And I love doing that because that’s not really a thing you tend to associate with drag too much. That tends to be a more surprising moment for people in my concerts, when I get serious. People expect the fierceness and sass and qualities of drag that they’re used to.
Mostly it’s just a lot of fun. I really enjoy the opportunity to play with music in new ways.
It sounds like part of what you’re saying is that it offers an added element of creativity to a songwriting process, even in the “constraint” of writing as Flamy Grant.
That’s absolutely right, there is a constraining piece to it. Whatever music I put out, it’s going to be out under that name, Flamy Grant, and I know it’s going to be associated with drag.
In some ways it’s obviously pushing the boundaries of Christian music, but it’s also pushing the boundaries of what people might consider drag to be.
What has the response been like from the drag community?
I just got a message from a drag queen back in San Diego. Her drag name is Nadya Symone. I love this queen. She’s just one of the people I look up to. She’s a Southern queen who lives in San Diego now. She was there at my very first drag show; I was nervous, and she could tell. And she just said, “Baby, whatever happens, the show goes on. You make a mistake, you forget a lyric, you forget a line, your wig falls off, whatever — the show goes on.”
I just felt so taken in, included, and welcomed. And that’s never changed. The people who get [Flamy] the quickest are other drag performers. I don’t have to explain much to them. They’re like, “Oh you’re just bringing yourself to drag, which is what we all do.”
Anyway, the message that Symone sent me just yesterday was just, “I’m so proud of you, baby.” I don’t know what she had seen, but she’s still there and cheering me on. I had a lot of anxiety coming into this and a lot of imposter syndrome. Am I a real drag queen? Do I really belong in this community if what I want to do is write my own folk songs and sing them? And that has all been laid to rest by interacting with other performers.
Is there anything that you wanted to do differently between your first album, Bible Belt Baby, and your second album, CHURCH?
I’m so proud of Bible Belt Baby, but it did come together circumstantially and without a lot of intention. My initial conversation with my producer, Ben, who was my housemate in San Diego at the time, was, I think I want to sing in drag. And we were going to put together a five-song EP. I ran a Kickstarter, and we raised more than I expected. And it just continued to blossom and grow until it was a full album.
And in order to make it a full album, I was pulling from songs that predated Flamy. What was really cool about that was discovering that Flamy has been there all along, right?
But with CHURCH, I had the opportunity to really, for the first time, think about crafting a complete narrative. Thinking about themes that would all be contained on one record and writing, for the first time, a full album in Flamy’s voice intentionally.
The second thing was having the resources to go to Nashville and make a Nashville record with Nashville players. That was a really exciting prospect for me.
We sent them all the demos in advance. I, [pauses] I don’t know that they listened to them, but they didn’t need to. They heard the song one time, took a couple notes, went to their instruments, and five, six, seven takes later we had what we needed. It was wild to watch how, at the skill level of those musicians, they brought the songs to life in ways I could have only hoped for.
I really wanted a sound that was in this Nashville vein, but we also talked about how to make it still a drag record. How do we pull in some of this country disco feel? How do we make sure it stands on par with anything coming out of Nashville, but also uniquely Flamy. They did a phenomenal job.
[Lastly], with Bible Belt Baby, I didn’t know, up until a couple months before releasing it, whether I would even put it out as a Christian record. It wasn’t until we finished it that I was like, yeah, this absolutely belongs in the Christian genre.
Now, Christian music is largely worship music, which I personally don’t care for. I like music that tells someone’s story. I want to hear what an individual person has gone through in their life and how they got to where they are.
And that’s why I loved artists like Margaret Becker, or Jennifer Knapp, Caedmon’s Call, and folks famous for writing really personal. What’s that thing people say? We find the universal in the specific — that’s what I love about singer songwriters. I don’t know if I’ll continue to make Christian music forever or what the next album will look like yet, but for this album, I [wanted] to be really intentional with the messaging. I think the tagline for the Kickstarter was “Flamy Grant’s Big Gay Christian Record.”
This is what tRump and maga are, gang thugs enforcing their ideas of right and wrong with violence regardless of other people’s rights. This is what the party of tRump is, violence to any who they disagree with. This is brownshirt stuff from Nazi Germany in the 1930s. This is domestic terrorism, the use of violence and harming others to achieve a political goal / gain. This stuff was going away as unacceptable in the US, and now it is back thanks to tRump and his people. Hugs. Scottie
Blaze Pizza’s 96 California pizzerias are known for build-your-own pies rapidly fired in 800-degree ovens, along with Los Angeles Lakers superstar LeBron James’ corporate investments. Last week, its Roseville location made headlines for an uglier reason.
A delivery driver walked into the Highland Reserve Marketplace restaurant about 10:15 p.m. Sept. 19, saw a Pride flag hung by employees inside and tore it down to the ground, according to the Roseville Police Department.
When a manager and employees confronted the man, he reportedly uttered a homophobic slur and left. He then returned with two other men, at least one of them wearing mixed martial arts gloves, and kicked off a brawl with two employees that multiple passersby caught on video.
Read the full article. Police are calling it a hate crime and the attackers remain at large. One of the employees was hospitalized due to his injuries.
I love Ethel’s videos and I have learned a lot about trans people from her. She often does videos with herself in them but also sometimes does them with the drawn figures. She has been very open with her transitioning journey, and I have followed her since she was a teen before she transitioned. Her videos are remarkable for the detail and receipts she brings to them. She does a lot of research, especially on trans women in sports issues. She documents everything for the viewers to check in the about section and encourages fact checking her.
In this video she sets up the fact that the anti-trans activist that falsely made claims about the WPATH files has a history of lying to try to push their issues. I love watching her videos and if you are interested in trans issues and ways to debunk what the trans haters say, she is worth looking at her back work. Her take down of the entire WPATH Cass report was wonderful and showed how totally false and misleading the report was. The Cass report has now been totally debunked now in part to Ethel’s work. Hugs. Scottie
Today’s video returns to the #WPATHFiles which alleged malpractice by medical institutions who support the scientific legitimacy of gender affirming care, exposing the Files’ fatal flaws and its publisher’s sordid history of forging evidence. Hi, welcome to Essence of Thought with me, Ethel Thurston, as your host.
