4th Amendment Workplaces

When ICE Shows Up, These Businesses Will Be Ready

Across the U.S., training, resources and hotlines have emerged to help workplaces exercise their rights in the case of an ICE raid.

By: Emily Nonko

Last April, at the James Beard Foundationโ€™s Chef Action Summit, food industry leaders gathered to discuss the political and economic landscape with one concern hanging grimly in the air: undocumented and immigrant workers were increasingly afraid to come into work after ICE raids ramped up at the outset of Trumpโ€™s second term. 

But it just so happened the summit took place in Asheville, North Carolina, where activists had already asked, โ€œWhat would it take to make this the safest state for immigrants in the south?โ€ as Andrew Willis Garcรฉs, senior strategist with the immigrant justice organization Siembra NC, puts it.

One answer: 4th Amendment Workplaces, a framework developed by Siembra NC and launched at the summit to help restaurants and other businesses train up on legally vetted protocols to defend employees against ICE. The idea quickly took hold โ€” there are now over 1,000 4th Amendment Workplaces across North Carolina, with 4th Amendment Workplace resolutions passed in three cities and similar efforts underway across 12 states. 

Itโ€™s emerged as perhaps the most powerful workforce training to help businesses prepare for ICE raids, but it is not the only one. Across the country, training, resources and hotlines have been developed for workplaces, alongside an effort to harness the wider labor movement as a force against ICE.ย 

Though the ICE raids that make the news often take place on the street, workplaces are in fact a frequent target. โ€œWeโ€™ve seen ICE this year go into workplaces more than a lot of other kinds of places where people are gathered,โ€ Willis Garcรฉs explains. โ€œWith workplaces, thereโ€™s usually an open door you can walk through.โ€

According to the American Immigration Council, ICE publicly reported at least 40 worksite enforcement actions resulting in over 1,100 arrests within the first seven months of the current Trump administration. Businesses employing noncitizen workers โ€” restaurants, car washes, automotive shops, bakeries, nail salons โ€” are typically targeted. ICE has also scaled up large raids at workplaces like meatpacking and manufacturing plants. 

These raids often represent legal violations, which 4th Amendment Workplaces raise awareness around. The Fourth Amendment to the U.S. Constitution guarantees โ€œthe right of the people to be secure in their persons, houses, papers and effects, against unreasonable searches and seizuresโ€ without a warrant based on probable cause โ€” that is, reason to believe that a crime may have been committed.

In North Carolina, volunteers canvas businesses across the state to share what it means to be a 4th Amendment Workplace: identify invalid ICE warrants, secure private employee areas, document unconstitutional actions and defend all workers, no matter their immigration status. Resources include a workplace guide, organizing toolkit, posters signaling opposition to unconstitutional search and seizures, employee handouts and tips for designating private employee areas. 

Workplaces can request dedicated training, in which organizers help business owners and employees develop workplace-specific protocol, and lead them through roleplaying scenarios. โ€œWe help you think through โ€ฆ what would you do right after the fact? What would you do to preserve footage, how do you support families left behind, whatโ€™s the immediate triage that needs to happen [after a raid]?โ€ explains Willis Garcรฉs.

Scuppernong Books of Greensboro was an early adopter, participating in training, promoting itself as a 4th Amendment Workplace, hiring a lawyer, regularly keeping staff informed of ICE response protocol, even publishing a book on how to resist ICE. Co-owner Steve Mitchell says it is โ€œabsolutely essentialโ€ for business owners to step up on behalf of employees, especially if the owners are white and legally protected residents: โ€œItโ€™s important for people like us to say that this isnโ€™t right, and weโ€™re going to stand on this side of the issue.โ€

Even though there hasnโ€™t been a heavy ICE presence in Greensboro, the bookstoreโ€™s work with Siembra NC โ€œgives us some sense of confidence,โ€ Mitchell says. โ€œWhether thatโ€™s misplaced or not, it at least helps us know what our rights are in that situation.โ€ He adds that using Siembraโ€™s model has made the business feel connected to a broader network of activists.

Willis Garcรฉs describes that model as โ€œplug and play,โ€ easily adaptable outside the state and across a variety of workplaces. Siembra NC recruited small businesses first, with the goal of expansion into higher-targer workplaces like factories and farms.

Today, some North Carolina farmers display giant vinyl banners about their constitutional rights, a riff on Siembra NCโ€™s signage. In Oregon, organizers dubbed themselves โ€œBaddies for the Fourth.โ€ In Minneapolis, the 4th Amendment Workplace was a central demand in a public-pressure campaign around Target

There have been other efforts to develop localized training. In New York, Nonviolent Peaceforce trains mostly within the cityโ€™s Asian American community, which it has worked with since the pandemic. Last year, ICE raids erupted across the cityโ€™s Chinatown.

Nonviolent Peaceforceโ€™s in-person training happens with trusted community partners and focuses on de-escalation and self-regulation tactics, alongside scenario and role-playing. โ€œWe came to develop scenarios really at the request of community members who felt that they really needed to know what it was like to be in the moment,โ€ says Roz Lee, head of the organizationโ€™s U.S. efforts. She says simple tactics to slow things down โ€” like introducing yourself, asking ICE agents their name, asking for a warrant and taking time to inspect it โ€” can shift a potentially intense and traumatic interaction. 

Other groups have tied the urgency around ICE to larger labor organizing efforts. Emergency Workplace Organizing Committee (EWOC) emerged to help non-unionized labor organize in response to COVID-19. More recently, EWOC developed resources for resisting ICE, which are tied to broader workplace organizing tactics like facilitating conversation among employees, building a committee and planning collective action together. 

โ€œThese steps are very universal, whether you work in an office, in a kitchen, at a nonprofit,โ€ says Wes Holing, an EWOC organizer. โ€œIf youโ€™re talking about bread-and-butter issues, or youโ€™re talking about a workplace thatโ€™s safe from ICE, youโ€™re still ultimately fighting for a place that respects you as a person.โ€ 

This January, EWOC partnered with Twin Cities Democratic Socialists of America to hold a No-Work Workshop to train workers on their rights and protections to participate in the Anti-ICE General Strike. It was part of a much larger mobilization among Minneapolis residents and businesses responding to Operation Metro Surge.

The city mobilized far beyond one-off trainings; instead, an entire ecosystem emerged. โ€œThe sheer volume, the sheer magnitude of mobilization โ€ฆ it felt like every single person I knew was extremely active,โ€ says Mike Urbanski, who helps lead legal observer training with Monarca. Monarca is a project under the immigrant justice organization Unidos MN, which canvassed businesses in Twin Citiesโ€™ immigrant communities. Theyโ€™d then direct people to Monarcaโ€™s ICE hotline as well as its two-hour, in-person training, which focuses on โ€œupstanderโ€ legal observation tactics.

Monarcaโ€™s trainings were also shared through social media, word of mouth and within community spaces and houses of worship. โ€œWe could post a training with 1,000 people in Minneapolis and fill it within four or five days,โ€ Urbanski says, โ€œAnd most of those people would come, and another 100 people would just show up.โ€ 

The Workers Solidarity Circle also canvassed and shared resources among Twin Cities businesses, channeling that energy into the Minneapolis Workerโ€™s Assembly this February, which brought together over 300 unionized and non-unionized workers across sectors. โ€œIt was about building working class power and coordinated strike action, to really push people into action and not wait on managers, bosses or labor officials to save us,โ€ says organizer Aminah Sheikh.

Now that Operation Metrosurge has wound down, organizers have turned their attention to this upcoming May Day: organizing strike committees, holding strike trainings, conducting labor education and committing unions and community organizations to strike on May 1st. Sheikh says there is a growing realization that workers must build political power far beyond their workplace. 

โ€œListen, in order for us to really stop โ€” abolish โ€” ICE, like people are saying, from the grassroots,โ€ she says, โ€œthen we need to do economic disruption.โ€ 

From MUTTS & Jane Goodall

FETCH THIS PRINT
โ€œThere is hope in the resilience of nature.โ€Jane Goodall

It Is Earth Day, 2026

https://peacebuttons.info/orderpp-the-ecology-corner.htm#geac

And Trae Says-

Josh Day, Next Day!

A Little Monday Mix

https://www.gocomics.com/chuckdrawsthings/2026/04/17


Wichitaโ€™s โ€œRosie the Riveter,โ€ B-29 DOC volunteer Connie Palacioz dies at 101

WICHITA, Kan. (KWCH) – Connie Palacioz, a World War II-era โ€œRosie the Riveterโ€ who helped build B-29 Superfortress bombers in Wichita and later spent decades volunteering with the restored B-29 DOC aircraft, has died. She was 101.

During World War II, more than six million women entered the workforce in a variety of roles, including factory work that was crucial to the war effort.

Palacioz went to work at The Boeing Co. in Wichita at age 17 and served as a riveter on the B-29 production line from 1943 to 1945. The Wichita factory built 1,644 B-29 Superfortress bombers during the war.

In 2000, when B-29 DOC returned to Wichita for restoration, Palacioz was 75 years old. She joined the team working to return the aircraft to flight, according to a statement from Docโ€™s Friends, Inc., the non-profit she volunteered at.

โ€œShe was the first one up when she was on tour with us, and the last one to leave the airplane. She was so proud of what she and her volunteers and what she and her team had built,โ€ said B-29 DOC Executive Director Josh Wells.

Palacioz remained an active member of the organization for 26 years. She served as an advocate for the nonprofitโ€™s mission while sharing her own story and those of other women who worked in wartime production.

โ€œConnieโ€™s life journey was inspiring, and itโ€™s been our great honor to have shared her legacy and life story through B-29 DOC,โ€ Wells said in a statement. โ€œNot only was Connie a Wichita and Kansas legend, but her story and work during World War II on the B-29 Superfortress production line also made her a national hero.โ€

Wells also shared the impact Palacioz had on his life.

โ€œShe was an inspiration to me. She was an inspiration to many people, and I think sheโ€™s a trailblazer,โ€ Wells said.

Not only was Palacioz a trailblazer for women, she was also a supporter of civil rights, as she worked with a minority coworker when no one else would.

โ€œJerry was African-American, and Mom said, โ€˜thatโ€™s fine with me, Iโ€™m a minority, Iโ€™m Mexican, Iโ€™ll work with her.โ€™ Then they wanted to separate them, and they didnโ€™t separate,โ€ said Tish Nielsen, Palaciozโ€™s daughter.

Palacioz often reflected on her role in the wartime effort while speaking with visitors to the aircraft.

โ€œWhen visitors come and they ask us, and then I tell them that I worked there and that I did this, and everything is still in order,โ€ Palacioz said. โ€œYou know, I always tell them there were seven rivets missing when it was in the desert.โ€

โ€œI wish all the others that worked with me could be here, but of course, they are gone,โ€ she said. โ€œBut, I donโ€™t know, itโ€™s been great. It just is something that I canโ€™t tell you exactly how, but I feel wonderful to be here.โ€

For many years, Palaciozโ€™s story was unknown, even to her daughter, which Nielsen pointed to as a sign of her humility.

โ€œWhen you would ask her, โ€˜why didnโ€™t you tell us you were Rosie the Riveter?โ€™ She said, โ€˜Well, I was just doing my job.โ€™ And thatโ€™s the way she was,โ€ Nielsen said.

Wells said itโ€™s important to keep stories like Palaciozโ€™s alive.

โ€œItโ€™s very important that we carry on their stories and honor people like Connie, to make sure that the next generation knows about them,โ€ Wells said.

Nielsen said the thing sheโ€™ll remember most about her mother is her faith and her hard work throughout life.

โ€œI would say she was a very faithful, faith-filled woman, who was very determined, and enjoyed life,โ€ Nielsen said.

Funeral services are pending. A public celebration of life will be planned, according to the statement.

Monday, Back To It!

How About Some Shorts?







So, We Three Post A Great Deal Of


Monstrosity Plucked From Garbage Can: On Mae Westโ€™s early career as a controversial playwright.

Walker Caplan April 20, 2021

Mae West is an icon: literally, a representative symbol. In the popular imagination, Mae West stands in for a certain type of seductionโ€”blonde, campy, one-liner-heavy. But though West is best known for her distinctive performances, she was also a controversial playwright; before West established the acting persona that would stick in the publicโ€™s minds for a century, she was offending critics and facing jail time for shows that she called โ€œcomedy-dramas of life,โ€ illuminating elements of life yet to be popularized onstage.

Westโ€™s plays The Drag and The Pleasure Man brought a type of communal gay camp onstage that at turns scandalized and excited a largely straight audience. And back in 1926, before Diamond Lil, her play-turned-movie about a good-natured prostitute, launched West to bona fide stardom, she wrote and performed another playโ€”SEXโ€”which would lay the groundwork for the plot of Diamond Lil but polarized audiences in a way Diamond Lil never did.

In SEX, West starred as a prostitute named Margy Lamont. The plot is winding, complicated, and not the point; viewer response was created by the first two acts, where the audience saw Margy working in a brothel and then in a nightclub. Critics were universally horrified by SEXThe New Yorker described the script as โ€œstreet sweepingsโ€; the New York Herald Tribune said that โ€œnever in a long experience of theatre-going have we met with a set of characters so depravedโ€; the slightly more provocative New York Daily Mirror titled their review โ€œSEX an Offensive Play, Monstrosity Plucked From Garbage Can, Destined to Sewer.โ€

It wasnโ€™t that there had never been sex or representations of sex workers on Broadway before; but critics found SEX reminiscent of burlesque (stigmatized at the time), as well as uncomfortably realistic in its treatment of sex work and class. As Marybeth Hamilton puts it in โ€œSEX, The Drag, and 1920s Broadway,โ€ โ€œMargy was . . . an ill-paid sex-worker who traded her body on the streets. West made that fact unmistakable. As West embodied her, Margy was palpably from the lower orders . . . Margy is bitterly conscious of herself as a member of the oppressed class, and the grimness and harshness of her manner are reflected in the world she inhabits.โ€ Imagine Mae Westโ€™s characteristic delivery without the irony: that was Margy Lamont. Understandably (though not correctly), people were scandalized.

As usually happens when people freak out about a piece of art, ticket sales went up. Then, on February 9, 1927, SEX was raided by the acting mayor, and West spent $14,000 to bail herself and her fellow actors out of jail. As she refused to shut down the show, West was sentenced to ten days in jail for โ€œcorrupting the morals of youth.โ€ She was released two days early for good behavior, and the jail time essentially operated as a publicity stunt, launching her in the media as a โ€œbad girlโ€ of theater.

West capitalized on the publicity of SEX and took it as an opportunity to retool her persona, creating Diamond Lil. West plays a sex worker in Diamond Lil as well, but this time, it was funny. Lil was constantly making jokes, and West played her with a veil of irony, so an audience could interpret all of the raunchiness as satire. Plus, the specter of class was never mentioned, making it easier to swallow for middle-class audiences. West called Lil โ€œa little spicy, but not too rawโ€; this was the beginning of the West performances we know today. Iโ€™m grateful for Westโ€™s fame, and her later work; but Iโ€™m glad we know what was lost in translation.

We Haven’t Had “Cover Snark” Here In A While-

Cover Snark: Burger King and Bobbleheads

byย Amandaย ยท

Welcome back to Cover Snark!

From M: Another cut and paste disaster. This guyโ€™s head is not only too small for the rest of him, but someone removed his neck. And what the heck are those red circles? Leftover Christmas ornaments?

Sarah: I need the Harley community to weigh in on giant red jingleballs on your handlebars. Seemsโ€ฆunwise.

And I cannot stop laughing at this poor manโ€™s pasted on head. My God the indignity. His unveiled desire is to have his own neck.

Amanda: His head looks like itโ€™s going to bobble right off.

From Elizabeth S: I donโ€™t even know what all crazy is going on here.

Sarah: Setting aside the completely distracting Y shaped torso, did Wonder Woman get him? Is that the lasso of truth? What do you think this guy is confessing to, dedicated steroid regiment? Stealing conditioner?

Claudia: Wow. Gym-rat Jesus!

Sarah: The lat bar is his shepherd? He shall not skip leg day?

Amanda: This man feels very familiar to me. We may have snarked his image before.

Sarah: This is giving me Perez Hilton vibes and never in a good way.

Elyse: I was going with the little crown kids get at Burger King

Amanda: I feel like this has a new illustrated cover. I recently featured it on the After Dark sales.

Sarah: At least on this one, I can read the Wine Mom Font correctly.

Elyse: โ€œSmell my finger.โ€

Sarah: Nooooooo

Amanda: Welp, now thatโ€™s all I can think about.

(snip-comments, etc. on the page, linked in the title)