More cult of tRump maga hate, bigotry, and stupid. They specialize in it.

I can’t wait to make this cottage pie; I love them, especially with mushrooms instead of beef. But I’ll follow the recipe the first time I make it. I usually make cottage pie for Meal Trains, and just for us, and also like to make one with leftover ham, peas, and sweet potatoes. Meanwhile, this brioche is beautiful. I don’t keep white flour, but will buy some (brioche isn’t brioche when it’s whole wheat.) And the salad! It won’t be too many weeks, and we’ll be wanting cooler foods. Enjoy, everyone.

The Cost To The Church For Going MAGA

I have not been posting my by Rev. Trevors. That is an error on my part. This is a video about why the church shouldn’t be bigots, shouldn’t be haters. It is about the distance such things cause in families and people. Hugs

Peace & Justice History for 12/23

https://www.peacebuttons.info/E-News/peacehistorydecember.htm#december23

I Learned A Thing Last Night

I’ve always wondered if somebody gave such performances, but had never heard of them before I read this. It makes my equality-driven heart happy.

The First Reality Competition Series for Drag Kings Is Officially Seeking Audition Tapes

Comedian and drag king Murray Hill will host King of Drag, the first-of-its-kind series.

By Mathew Rodriguez December 17, 2024

Finally, some news that’s not a drag.

Somebody Somewhere actor and veteran comedian Murray Hill is set to host a drag king reality competition series, The King of Drag, which will air on the LGBTQ+ streaming service Revry this spring, Variety reports. Tucked into Variety’s announcement was the application to be on the show, for which the deadline is January 5.

The King of Drag bills itself as the first drag king competition series. Kings looking to earn a spot on the show’s inaugural cast will have to submit a wealth of material, all of which is outlined on the audition site. Potential cast must submit five photos of their top drag looks, videos of themselves in and out of drag, and a reel of previous drag performances. Finally, auditioning kings are asked to submit a resume of their performance work in drag and film themselves lip-syncing to a song or medley that shows off their “drag essence.”

King of Drag, according to the audition site, “will expansively represent drag while promoting inclusion, authentic self-expression, and diverse gender identities including trans masc, cisgender women, non-binary and more.”

Aside from the audition materials, kings who want to compete on the series must also answer a slate of questions that probe deeper into their drag personae, personal views, and craft, including whether they design their own costumes, how comfortable they would feel being open about themselves on national television, who they count among their entertainer inspirations, and — very practically — how long it takes them to get in drag.

Series host Hill just wrapped up his work on Somebody Somewhere, the acclaimed — and extremely queer — HBO series about friends as family. The six-episode series is looking to cast eight kings.

“I’m so excited to be working with Revry as the host of ‘King of Drag,’” Hill told Variety.” “I started performing in 1995, so it’s long overdue for the kings to take center stage. This vibrant community deserves to be in the spotlight, and I’ll be their biggest hype man.”

According to a press release from Revry, the show will incorporate challenges that are unlike other drag competition shows, including an emphasis on comedy, unconventional performances, and “timely commentary on masculinity. “

Drag kings have long fought for the same kind of cultural recognition that their queen counterparts enjoy; in today’s media landscape that does include time on a reality competition series. While the behemoth of the format — RuPaul’s Drag Race and its spin-offs — has started to incorporate a more diverse set of queens, including trans queens and cis female queens such as Victoria Scone and Maddy Morphosis, the show has always emphasized a feminine drag aesthetic. Other shows, such as The Boulet Brothers’ Dragula have welcomed drag kings, with Landon Cider triumphing in the show’s third season.

Touching, timely, poignant-

Christmas on the Border, 1929 Alberto Ríos, 1952 –

^{Based on local newspaper reports
and recollections from the time.}

1929, the early days of the Great Depression.
The desert air was biting, but the spirit of the season was alive.

Despite hard times, the town of Nogales, Arizona, determined
They would host a grand Christmas party

For the children in the area—a celebration that would defy
The gloom of the year, the headlines in the paper, and winter itself.

In the heart of town, a towering Christmas tree stood,
A pine in the desert.

Its branches, they promised, would be adorned
With over 3,000 gifts. 3,000.

The thought at first was to illuminate the tree like at home,
With candles, but it was already a little dry.

Needles were beginning to contemplate jumping.
A finger along a branch made them all fall off.

People brought candles anyway. The church sent over
Some used ones, too. The grocery store sent

Some paper bags, which settled things.
Everyone knew what to do.

They filled the bags with sand from the fire station,
Put the candles in them, making a big pool of lighted luminarias.

From a distance the tree was floating in a lake of light—
Fire so normally a terror in the desert, but here so close to miracle.

For the tree itself, people brought garlands from home, garlands
Made of everything, walnuts and small gourds and flowers,

Chilies, too—the chilies themselves looking
A little like flames.

The townspeople strung them all over the beast—
It kept getting bigger, after all, with each new addition,

This curious donkey whose burden was joy.
At the end, the final touch was tinsel, tinsel everywhere, more tinsel.

Children from nearby communities were invited, and so were those
From across the border, in Nogales, Sonora, a stone’s throw away.

But there was a problem. The border.
As the festive day approached, it became painfully clear—

The children in Nogales, Sonora, would not be able to cross over.
They were, quite literally, on the wrong side of Christmas.

Determined to find a solution, the people of Nogales, Arizona,
Collaborated with Mexican authorities on the other side.

In a gesture as generous as it was bold, as happy as it was cold:
On Christmas Eve, 1929,

For a few transcendent hours,
The border moved.

Officials shifted it north, past city hall, in this way bringing
The Christmas tree within reach of children from both towns.

On Christmas Day, thousands of children—
American and Mexican, Indigenous and orphaned—

Gathered around the tree, hands outstretched,
Eyes wide, with shouting and singing both.

Gifts were passed out, candy canes were licked,
And for one day, there was no border.

When the last present had been handed out,
When the last child returned home,

The border resumed its usual place,
Separating the two towns once again.

For those few hours, however, the line in the sand disappeared.
The only thing that mattered was Christmas.

Newspapers reported no incidents that day, nothing beyond
The running of children, their pockets stuffed with candy and toys,

Milling people on both sides,
The music of so many peppermint candies being unwrapped.

On that chilly December day, the people of Nogales
Gathered and did what seemed impossible:

However quietly regarding the outside world,
They simply redrew the border.

In doing so, they brought a little more warmth to the desert winter.
On the border, on this day, they had a problem and they solved it.

“Fearsome Forest Hawk”

Click through to see and hear.

American Goshawk

How To Make Your Yuletide Extremely Gay, For Jesus by Evan Hurst

It’s the reason for the season! Read on Substack

Snippet (this is so very good, and a bit long, with videos, etc. embedded as well. I know it has blue language; also, it skews Christian, but there’s a point-not proselytization, but Representation-it’s encouragement for all to be who we are):

Flamy Grant, Spencer LaJoye and Crys Matthews, three of the artists on the Make The Yuletide Gay tour. (Courtesy Flamy Grant’s Insta)

Is the world still burning down? Is President Elon Musk shutting down the government, and are his pets Donald Trump, J.D. Vance and Speaker Mike Johnson completely powerless to stop it?

Is this happening?

Oh dear God.

Who wants to take a well-deserved break from talking about all that shit because Christmas is in five days and fuck it?

Let’s shift gears.

In the wee few months since the inception of this right here Moral High Ground newsletter, we’ve talked about lots of things that fall within the site’s description, about white conservative right-wing Christian fascist men, the Phyllis Schlafly clones who support them, and the extremely weird fears, feelings, emotions and autoerotic Braveheart fantasies that make them The Way That They Are.

Obviously we’ve talked a lot in these weekly Friday newsletters about the election and its horrifying aftermath.

But there’s another element here that I said I wanted to be present in this newsletter from the very first post, no matter if it’s just a little Substack or if it somehow grows into a great big media network.

I said this place is called “The Moral High Ground” because the bigoted, misogynistic assholes standing in the way of everything that’s good and holy are 100 percent certain they are the sole possessors of that high ground. I said that’s a toxic tumor of an idea that is unfortunately still given a shameful amount of weight in our society. You see this any time a corporate media source feels the need to host a hate-mongering bigot from a right-wing Christian group, to give “both sides” of whether LGBTQ+ kids should be allowed to live with dignity, or whether people should be forced to submit their bodies to the state for regular uterus inspections.

And I said that toxic tumor of an idea unfortunately still survives within far too many of us who have personally been abused by the conservative Christian church, or who are still currently enduring its abuse. It can be subconscious, like a vicious disease you think is gone, but then it rears its ugly head when something triggers it, telling LGBTQ people they’re not good enough, that maybe they really are going to hell, telling closeted LGBTQ kids in homeschooling households in East Cowfucker, Kansas, that they will never be able to get out, that Jesus really couldn’t ever love them.

And I said fuck that shit.

I said this isn’t a support group, and it isn’t a Christian website, but it’s a safe place for literally whoever you are, and I want the negation of the toxic messages I was just talking about to be loud and clear, front and center at The Moral High Ground at all fucking times.

And I want to showcase and bring together other people who are doing that work in their own brilliant ways.

So let’s talk about Christmas, Christian music, Christian drag queens, lesbians, non-binary people, and just generally ridiculously brilliant Christian and Christian-adjacent artists who, number one, EXIST — that’s right, LGBTQ kids living in right-wing Christian hell, they EXIST! — and who are out there this holiday season making the yuletide extremely totally fuckin’ gay.

I’m talking about Flamy Grant, Crys Matthews, Jennifer Knapp, Spencer LaJoye and Heather Mae, who have been out on tour this month that’s literally called Make The Yuletide Gay. I got to see them — well, three of them — last Friday night in Memphis, and it was so good, y’all.

If you read Wonkette AKA my day job where I am the managing editor, you may have heard of Flamy Grant. I posted the video above in 2022 in a piece about how a gay wedding was happening at Amy Grant’s house, and how it was pissing off pigfucks like Franklin Graham, AKA the ickiest byproduct of Billy Graham’s participation in the human reproductive process.

I mentioned in my post that my own personal first concert was in Little Rock, Arkansas, 1991, Amy Grant, on the Heart In Motion tour, front row, Baby Baby! (My church youth group really had the hookup on that one, I guess.)

Then in 2023, Flamy Grant started taking over the Gospel and Christian charts, for the best, funniest reason. You see, this dildo-witted MAGA preacher named Sean Feucht was birthing entire full-grown cows because Grant — a Christian drag queen for whom listening to Amy Grant was also quite formative — had collaborated with Derek Webb, who had huge success in the Christian music world back in the day with a band called Caedmon’s Call. (Webb, you might deduce, is also in a bit of a different place these days.)

This was obviously a sign of The Last Days to excitable types like Sean Feucht. Also that loud flamboyant Greg Locke creep. He’s real exercised about Flamy Grant.

So God, being the way God is, thought it’d be funny to use that moment to make sure Grant’s song with Webb and the album it came from went straight to the top of the charts. The Gospel and Christian charts.

AND WHY SHOULDN’T THEY HAVE?

(snip-go read it!)