I am really becomeing in favor of this person for governor. I love how he talks about trans kids and how he wants them to feel included in society. He said that because of the risk of suicide and self harm if these children are excluded he won’t do that to them. He is not giving an inch on trans issues. As for advantages or not as Emma and Sam discuss there is a basket ball player so tall that he can stand on his toes and put the ball in the net. Is that an unfair advantage? Hugs
Category: Love
Fun & Music!
Gotta give the heart and mind a break!
Accessibility For All:
‘Everyone is equal in this space’: the cosmic world of neurodivergent-friendly club night Robyn’s Rocket
Trumpeter Robyn Steward thought clubs weren’t for her until she encountered Fabric’s accessible upgrade – the new home for her radically inclusive, space-themed night
Working the crowd … Robyn playing at one of her Robyn’s Rocket nights at Fabric. Photograph: Siân O’Connor
Until May last year, trumpeter Robyn Steward had never been in a nightclub space, save for playing trumpet with Lancaster duo the Lovely Eggs at London’s Heaven, and a few nights in a university hall that doubled as a lunch room. Steward is autistic and has multiple disabilities including cerebral palsy. “Sometimes strobes can trigger migraines for me, or feel overwhelming,” she says. “I feel like my body’s a bit lost.”
When she wanted to see a gig at Fabric nightclub in London, she asked a friend to go with her as a carer. “I was amazed at how accessible it was,” she says. Subtle touches integrate multiple access needs into the space. “The mezzanine level meant that I didn’t have the strobes in my face. There was a rail that I could hold on to, and there was seating opposite the balcony so I could sit and watch the gig.” She also noticed Fabric’s recently upgraded sensory dancefloor, which deliberately transforms sound into tactile vibrations to better cater for the hearing impaired. “I could see that the lights were strobing and everything, but I felt safe,” Steward says.
Inspired, she contacted Fabric to see if they might host her long-running, space-themed experimental music night Robyn’s Rocket, which since 2017 has been booking noise bands, DJs and improv groups in London venues from Deptford to Dalston. While it champions disabled and autistic performers and audiences, Robyn’s Rocket is principally about integration. “People with and without learning disabilities – and autistic and non-autistic people – should spend time together, where there isn’t any kind of power dynamic,” she says. Her aim is to create a space “where people are all just having a really nice time together”.
We meet in a music studio in Deptford, south London, the day before the Rocket’s first night at Fabric. Steward, 39, is relentlessly upbeat; straight after the interview, she heads to the shops where a friend helps her figure out an unspecific drinks rider request. It’s in keeping with the Rocket spirit of clarifying what might usually be assumed or implied. Online, she supplies detailed visual storyboards of how an evening will progress. All artists fill out detailed tech and access riders. Every box and cable is given a name, shape or colour. All Rocket gigs are livestreamed and timings are strictly adhered to so those streaming the gig don’t get lost. “The schedule, once it’s agreed, it’s pretty non-negotiable,” Steward says.
On arrival, everyone is presented with a silver rocket-shaped badge, angled up, across or down as a visual barometer of how much communication they’re comfortable with. Fabric is adorned with more than 100 posters: signposts always feature words and shapes and are populated with cartoon characters, human and alien. Silver foil covers the stage, and live projections from visual artist Rucksack Cinema are suitably astral. “You’re into new planets, are you?” crows the frontman of “cosmic dross” band Henge.
For Steward, the space theme is also about imagining an equitable new world. “You might meet somebody here with a learning disability, or an autistic person. You might not. But everyone is equal in this space.” The Robyn’s Rocket nights echo the aesthetic and political spirit of Afro-futurist jazz visionary Sun Ra and his Arkestra. “The idea that you can create a different dimension, almost a different planetary experience, at these events is very consistent,” says Mark Williams, co-founder of the Deptford-based arts charity Heart N Soul (where Steward is an associate artist). “It’s using imagination and creativity to free people, and to exist on a different kind of plane.”
Steward was born in Suffolk, and took to music when a tutor brought instruments to her primary school: “I really wanted to go on the trumpet, but they ran out of time, so I spent a whole week blowing raspberries.” The tutor returned for an assembly the next week, and Steward immediately requested the trumpet. “I played a clear note straight away.”
As an infant, Steward used Makaton (a language that uses a combination of signs, symbols and speech) to communicate until she attended Musical Keys, a group for children with special needs, aged three: “It was song based, and so I learned to speak that way – there was a lot of repetition.” Once she learned to speak, she wouldn’t stop; her parents got her a Dictaphone for long car journeys: “They’d say, ‘You can talk to this Dictaphone as much as you want, but leave us alone in the front.’ I would make my own radio shows that would come out sounding like Alan Partridge’s Knowing Me, Knowing You.”
Unlike her East Anglian counterpart, Steward is an excellent, direct communicator. The first half of her career was spent delivering autism training, speaking at conferences, and in research. She’s also written books such as The Autism-Friendly Guide to Self Employment. But, by age 30, Steward became “very conscious that I needed to think about what I want to spend the rest of my life doing”. She had recently learned to improvise on trumpet through the big band at a local adult education centre, and seeing a gig by trumpeter Andy Diagram (who plays the trumpet with guitar pedals) proved crucial to developing her own art. With the help of Heart N Soul, she built Robyn’s Rocket up from a small residency in Deptford to a regular slot at Cafe Oto in east London, later inviting musicians including Alabaster DePlume, Coby Sey and Mica Levi to perform.
The vocalist Seaming To played a Rocket night in 2024. “More and more friends of mine are realising that they have neurodivergent aspects,” Seaming To says. “And quite a lot of them find it really awkward coming out to noisy places. At Robyn’s night, you can admit to feeling awkward, and it’s all acceptable.”
On the night, Steward dons her trademark purple fedora and doubles up as space trumpeter and energetic MC. “I’ve done this gig partly because I just wanted to put Henge on,” she says, beaming from the stage. For all the very human practicalities of Robyn’s Rocket, Steward still has celestial ambitions. “And why wouldn’t you want to put them on in a homemade spaceship?”
Your Josh Day, Next Day!
This Week’s “Lay Lines”
Some Tuesday Fun
https://www.gocomics.com/lards-world-peace-tips
All these creators are indeed blessed!
(I did not verify this one; I simply enjoyed the jam.)
“Bowen Yang Offers Hilariously NSFW Clapback After Troll Questions Why He’s Grand Marshal Of NYC Pride”
After it was announced that SNL alum Bowen Yang would be one of the Grand Marshals for New York City Pride, a troll questioned his selection—and Yang offered a hilarious reason.
By Peter Karleby
One good thing about trolling comedians, they always know exactly how to respond.
New York City Pride recently announced the Grand Marshals for its annual Pride parade, scheduled for June 28.
It’s quite a roster, featuring trans actress Dominique Jackson, drag star Peppermint, trans journalist and radio personality Bernie Wagenblast, activist group Gays Against Guns and SNL alum Bowen Yang.
Of course someone was gonna have an opinion on this lineup, and one of them tried to come for Yang in the comments of the announcement on Instagram.
And Yang, ever the seasoned comedian, had the perfect response. The troll demanded to know “why bowen,” and Yang didn’t miss a beat, quipping:
“showed hole to the board.”
(snip-embedded social post)
Perfect.
It’s a strange question in the first place: Yang made history when he joined the SNL cast in 2019.
In a statement, NYC Pride wrote:
“Bowen Yang became a household name as the first Chinese-American cast member on Saturday Night Live in 2019.”
“With that platform, he helped usher in an era of authentic queer humor in mainstream media, earning an Emmy® for writing and becoming the most-nominated Asian male performer in Emmy® history in the process.”
The better question is “why not Bowen?”
(🤣 🤣 🤣 snip-MORE ; lots of embedded social media posts; enjoy!)
Been Wondering About Kat Abughazaleh? Here Is News:
Kat Abughazaleh shows us how to fight fascists
Q+A with one of the Broadview Six, who had all charges dropped against them after grand jury misconduct.
Marisa Kabas
For the last seven months, Kat Abughazaleh wasn’t allowed to go to Alaska. It’s not that she had any particular reason to, but being under felony indictment meant that she was only allowed to travel throughout the lower 48 United States. And forget leaving the country. But on Thursday, those restrictions were suddenly lifted when all charges against her were dropped.
Abughazaleh, 27, woke up Friday a free woman. The former Illinois congressional candidate was charged in October along with five others for conspiring to impede an officer near the Broadview ICE facility just outside of Chicago. In reality, Abughazaleh and her co-defendants were there to protest the federal government’s increasingly public cruelty and the human rights abuses happening inside Broadview specifically, and broadly by ICE. The Trump administration, not surprisingly, did not appreciate their very public pushback and responded with brutality and violence. But with all charges against them now dropped, the only thing they’re an example of is why fighting fascists is good.
With the trial scheduled to begin just after Memorial Day, US district judge April Perry called an emergency hearing Thursday to discuss missing pieces of the trasncript from the grand jury proceedings where DOJ lawyers convinced jurors to indict Abughazaleh, her campaign field director Andre Martin, Michael Rabbitt, Brian Straw and two others who had the charges against them dropped earlier.
The case was already on the decline, with prosecutors dropping the felony charges against the remaining four in April as questions about the grand jury transcripts popped up. They still faced a full trial on misdemeanor charges and up to one year in jail. But Judge Perry ruled the DOJ’s handling of the grand jury and subsequent redactions constituted grave misconduct, making it impossible to move forward.
I spoke with Abughazaleh by phone Friday morning about right wing fuckery, ridiculous rumors, and how she plans to reclaim her life after the federal government tried to destroy it. Our conversation has been edited and condensed for clarity.
MARISA KABAS, THE HANDBASKET: How did it feel waking up this morning?
KAT ABUGHAZALEH: I had to get up at like 5am to go on Morning Joe, but I woke up and I was like, oh yeah, I don’t have to go to trial this week—which is not a statement I thought I’d have to say ever in my life.
KABAS: Walk us through what you thought the next week or so was supposed to be like before yesterday’s hearing.
ABUGHAZALEH: I was supposed to have not just trial prep with my lawyers, but having to get my clothes dry cleaned. Going to get a manicure because my nails always always look awful. I spent way too long at a Nordstrom Rack picking out shoes that I thought looked fashionable but also modest and wouldn’t make jurors think I was a bitch. On Tuesday we were supposed to have jury selection. On Wednesday we were supposed to have opening arguments, which is a shame that we don’t get to hear our lawyers spit absolute fire. But yeah, it’s nice not to do it in the first place.
KABAS: Absolutely. So what do you think you’re gonna do instead?
ABUGHAZALEH: I have a 12-hour live stream tomorrow to raise money for our legal funds because, despite not having to go to trial, we’re still picking up the pieces of our lives both emotionally and financially. Every single one of us as co-defendants, we have very real fears of bankruptcy and being in debt for the rest of our lives because of this. And then, I don’t know, sleep a bunch. Get my passport renewed, something that I couldn’t do for the last seven months. I couldn’t even go to Alaska.
KABAS: Are you serious? Could you go to Hawaii?
ABUGHAZALEH: No, just the lower 48. Couldn’t even go to Puerto Rico.
KABAS: So this has really restricted your movement as a human being for the last seven months.
ABUGHAZALEH: Yeah, and it’s something that’s really scary, especially as the government gets more and more aggressive, just being like, oh, you’re stuck here no matter what happens.
KABAS: So when did you get a sense that things might be changing this week?
ABUGHAZALEH: So we’ve been requesting to see the grand jury transcripts or just have the judge look at them for months. And ahead of trial Chris Parente—Brian Straw’s lawyer—just asked the judge, “Can you just look at the unredacted version?” And her understanding was that the redactions were referring to some IT issues, and the prosecution had never corrected her. So she looked at the unredacted transcript and then called a hearing the next morning. And it was sealed. Now the transcript is public.
She was saying “I’m not sure that the charge will get dismissed without prejudice because there’s not a lot of precedent for that, especially for a misdemeanor.” And then we broke for an hour for the government to talk it over, and then they came in. I remember one of my lawyers looking at me as one of the government’s lawyers [Andrew Boutros] started talking, and she just turns to me and says, “Congratulations.” And I went, “What?” And then Boutros said, “dismissed with prejudice.” [Meaning the case was permanently closed.] And it was just surreal. Absolutely surreal.
KABAS: Did you have a sense of where things were heading or were you totally shocked by the outcome?
ABUGHAZALEH: I truly did not think it would get dismissed yesterday. I did not want to get my hopes up. I thought that we were going to trial for sure, just because it’s very unusual to try a federal misdemeanor. I knew we would win in that case, but I was completely shocked.
KABAS: How do you think this will change or impact anti-ICE protests and prosecutions in the future?
ABUGHAZALEH: I hope that it does have impact. It was meant to intimidate us into silence, and none of us took a deal. None of us sold each other out (not that there was anything to sell each other out on.) But, you know, we were charged with conspiracy. We were facing like 10 years in prison.
(snip-there is MORE, but this is already a long post, and I’m a free subscriber to Handbasket, and don’t want to just lift their work. Click on through!)
OK. Time To Rock and Roll.
I’ve been away a bit, but am back, and just finished reading this great Guardian piece about The Boss. Enjoy!
Bruce Springsteen is a model for how celebrities should resist Trump
His recent concerts are a thunderous call to fight for democracy. The nation could use more like him
The Bruce Springsteen concert I went to in Brooklyn last week was unlike any concert I’ve attended in decades. It was far more than a fabulous, joyous concert; it was also an inspiring resistance event.
From the get-go, the Boss made clear that this concert would be part of the anti-Trump resistance. It was a three-hour-long ode to the resistance and a thunderous call to Springsteen fans to step up and do more to fight for democracy and against authoritarianism. In this way, Springsteen is serving as a model for how celebrities can stand up against Trump and fight for what’s right.
As in the other concerts in his Land of Hope and Dreams tour, Springsteen began his Brooklyn concert with some uncontroversial, patriotic words: “We begin tonight with a prayer for our men and women in service overseas. We pray for an end to this conflict and for their safe return.” But in his very next sentence, the Boss plunged into full-scale resistance mode: “The E Street Band is here tonight in celebration and defense of the American ideals and values that have sustained our country for 250 years. We call upon the righteous power or art, of music, of rock’n’roll in these dangerous times.
How do we get more men to join the anti-Trump resistance?Read more
“Our democracy, our constitution, our rule of law,” he continued, “are being challenged right now as never before by a reckless, racist, incompetent, treasonous president and his ship of fools administration. So tonight we ask all of you to join with us in choosing hope 0ver fear, democracy over authoritarianism, the rule of law over lawlessness, ethics over unbridled corruption, resistance over complacency, truth over lies, unity over division and peace over war.”
As soon as Springsteen uttered the word war, the E Street Band began blasting Motown’s leading anti-Vietnam war song, War (What Is It Good For). Immediately came the roaring answer: “absolutely nothing.” It was Springsteen’s not-so-subtle way of dissing Trump’s disastrous war against Iran. Next, to immense applause, Springsteen belted out his great anti-war anthem, Born in the USA.
One of the concert’s final numbers was another in-your-face song to our authoritarian president: Bob Dylan’s Chimes of Freedom. Springsteen sang of those chimes flashing “for the refugees on the unarmed road of flight” and “for the rebel”, “the outcast” and the “underdog”. To an arena filled with young and old fans, he also delivered some of the oldies but goodies they hungered for: Born to Run, Hungry Heart and Dancing in the Dark. In a special bonus, Tom Morello raged against the Trump machine by joining Springsteen in an amped-up version of The Ghost of Tom Joad, about a depressing “new world order” with “families sleeping in [their] cars”. Throughout the turbocharged concert, Springsteen had phenomenal, unflagging energy, seeming more like 26 than 76.
If anyone harbored doubts about whether this was a night of resistance, Springsteen said, in a direct slap at Trump: “Honesty, honor, humility, character, truth, compassion, humanity, thoughtfulness, morality, true strength and decency – don’t let anybody tell you that these things don’t matter any more – they do… So many of our elected leaders have failed us that this American tragedy can only be stopped by the American people – by you. So join us and let’s fight for the America that we love.”
Then he shouted: “Are you with us? Are you with us?” The crowd thundered back with thousands of yeses.
In another jab at Trump, Springsteen said: “Our museums are being told to whitewash American history of any unpleasant or inconvenient facts, like the full history of the brutality of slavery. You want to talk about snowflakes? We have a president who can’t handle the truth.”
Springsteen seemed totally comfortable as he laid into Trump, who has childishly (and preposterously) called him a “total loser” and “not a talented guy”. From his early days in Asbury Park, Springsteen has championed the working class, singing about “broken heroes” who “sweat it out”, Vietnam vets who “ain’t got nowhere to go”, and twentysomethings for whom there “ain’t been much work”. While Trump has delivered to billionaires, Springsteen has been fighting for working men and women, for those who get the short end of the stick. That has given him extraordinary cred with average Americans.
To be sure, many other celebrities have stood up to Trump, among them Stephen Colbert, John Legend, Jimmy Kimmel, Robert De Niro, Lady Gaga, the country superstar Zach Bryan, and the Chicks’ Natalie Maines. Unfortunately, the courageous Mr Colbert has seemingly been punished for criticizing the thin-skinned president. His last show was on Thursday (Springsteen appeared on Wednesday’s episode). Perhaps because Springsteen knows there are hundreds of thousands of Americans willing to pay $100 or more to see him perform, he takes on Trump with less hesitation and greater abandon than other celebrities. The Boss doesn’t have any corporate overlords watching his every word.
His resistance is unflinching. In Brooklyn and at each concert, he gives a variation of this broadside: “So many American families struggle while our president and his family enrich themselves by billions of dollars trading on the people’s office in corruption unmatched in American history … This White House is destroying the American idea and our reputation around the world. We stood as a beacon for hope and liberty as an imperfect, but strong defender of democracy– standing for the global good, and to many now we are just America, the reckless, unpredictable, predatory, untrustworthy, rogue nation that is this administration and this president’s legacy.”
Every resistance movement needs an anthem, and Springsteen has obliged by writing The Streets of Minneapolis, which denounces Trump’s deployment of thousands of masked agents to intimidate that deep blue city, to essentially step on its neck.
When he began singing Streets of Minneapolis, the crowd went wild. I excerpt it:
Oh, our Minneapolis, I hear your voice
Singing through the bloody mist
We’ll take our stand for this land
And the stranger in our midst
Here in our home, they killed and roamed
In the winter of ‘26
We’ll remember the names of those who died
On the streets of Minneapolis …
At song’s end, he led an earsplitting chant: “ICE out now!” and gigantic photos of Renée Good and Alex Pretti suddenly appeared behind the stage.
Springsteen has carried his resistance message across the nation. At the flagship No Kings rally in St Paul in late March, he told the immense crowd: “The power and the solidarity of the people of Minneapolis and Minnesota was an inspiration to the entire country … You gave us hope. You gave us courage. And for those who gave their lives, Renée Good, mother of three, brutally murdered, and Alex Pretti, VA nurse, executed by ICE and left to die in the street without even the decency of our lawless government investigating their deaths. Their bravery, their sacrifice, and their names will not be forgotten.”
At his Minneapolis concert on 31 March, he poignantly told of Good’s last words: “To the man who she was protesting against, the man who would take her life, she said: ‘That’s fine, dude, I’m not mad at you. I’m not mad.’ God bless her.
“So tonight, when you go home,” Springsteen continued, “hold your loved ones close. And tomorrow, do as Renée did, find a way to take aggressive, peaceful action to defend our country’s ideals. And as the great civil rights leader John Lewis said, ‘Go out and get into some good trouble.’
“God bless Alex Pretti, God bless Renée Good, God bless you and God bless America.”
What’s giving me hope now
I, along with many others at the Barclays Center concert, came away jazzed and inspired. I imagine that hundreds of thousands of fans who have seen Springsteen in concerts across the US in recent weeks felt the same way. That gives me hope. That many young people are attending the Boss’s resistance concerts also gives me hope.
Springsteen does what celebrities should do. He uses his star power to fight the good fight. He talks to people. He doesn’t talk at them or down to them or lecture them. He voices common concerns, he rallies, he inspires. It’s perhaps easier for the Boss to do this than it is for other stars because he has a tremendous, decades-old fan base and is widely embraced as a man of the people. Let’s hope that his hugely successful Land of Hope and Dreams tour inspires other celebrities to do more to speak out and resist.
I wish that Springsteen would give dozens of free, outdoor concerts across the US over the next year or two or three, but that might be too complicated and expensive to pull off. I don’t doubt that those concerts would attract hundreds of thousands of people each, and that might help turn the tide further against Trump, the most corrupt authoritarian president in US history.
Springsteen is an unarguable leader of the resistance. The nation could use more like him.
Long live the Boss.
- Steven Greenhouse is a journalist and author, focusing on labor and the workplace, as well as economic and legal issues
Responding to bigoted claims of biblical morality
Scottie's Playtime 