Footage taken by @Steffikeith this morning of ICE agents shoving photographers on assignment at 26 Federal Plaza. One journalist has been hospitalized. pic.twitter.com/sOo6XAMWJP
This man was taken to the hospital after being knocked unconscious and losing all feeling for 40 minutes. ICE threw him to the floor for the crime of "exercising 1st amendment rights." The journalist was taking photos of ICE agents in a public area of a govt building. #ICEpic.twitter.com/33HuqtSOni
WELCOME TO THE POLICE STATE: ICE agents assault reporter at Federal Plaza immigration court…
AM NY: Another journalist seriously injured after shove
ICE agents assaulted amNewYork’s own Dean Moses, and allegedly attacked another journalist, on Tuesday morning as they were… pic.twitter.com/xdryE4IewH
New: ICE has bought a tool that tracks the locations of hundreds of millions of phones globally, updates every single day. Usually harvested from apps and advertisinghttps://t.co/NslQ1Mxu9N
Telling of the Scuba Spider & the Slow-Motion Climate Crisis Storm by Jerileewei
How a French Quarter Phantasm Teaches Writers to Stop Drowning Their Audience Read on Substack
Recently some of the Cajun Chronicles Podcast Corporation writer staff enjoyed a well attended writers conference at a ritzy island resort about as far away from Louisiana as you can get. Some of us were aware of the show Mother Nature was putting on there. Not only in terms of their native flowers and fruits, but also the job certain natural Apex Micro-Predators play around the world in the grand scheme of pest control and climate change globally.
Once home, those lessons and lessons about writing creative technical content were sources of wonderment and inspiration. Louisiana is no stranger to all things buggy, nor the climate change side-effects we have always been experiencing with rising waters all around us. Similarly, those among us struggle with solutions to writing and broadcasting the messages we all need to heed on such important topics.
A Fishing Spider Story Exercise In Creative Nonfiction Oddity
The thing about the Louisiana bayou country is that its weirdness is not just for show, cher. It’s a matter of absolute, high-stakes survival. It is an ecosystem that has perfected the art of the improbable. Take the Dark Fishing Spider,Dolomedes tenebrosus, the one whose leg span can cover half your hand. She is one of the largest spiders in North America, yet she operates with the silent precision of a naval scout.
You’re floating placidly in the moss-draped gloom of the Atchafalaya Basin, and there she is, perched carrément (directly) on a gnarled bald cypress knee. Her nickname is Scuba Spider. Unlike her cousin, the Six-spotted Fishing Spider (D. triton), who is a permanent waterside resident, D. tenebrosus often wanders about. She’s basically a French Quarter phantasm land tourist with aquatic superpowers. Uniquely, her front four long legs still rest on the water like silent radar antennae.
Here’s the first oddity: She doesn’t spin a trap-web to catch supper. She uses the very surface of the water as a vast, vibrating, liquid snare. That surface tension, which allows a single droplet of dew to hold its perfect sphere, is her hunting ground. To your amazement, a Yellow Fever (Aedes aegypti) mosquito lands, an unlucky Cocahoe Minnow (Fundulus grandis) minnow surfaces, or you see a mayfly struggling.
Those water disturbances, even a tiny ripple, are all the information she needs. She bolts across the water, comme ça (like that), defying gravity and the laws of physics with a waxy-haired gait, grabs her prey, and retreats just as swiftly. She is an apex-predator extraordinaire! As an Eight-Legged Lagniappe
The truly bizarre part of her story happens when danger comes. If a hungry Great Heron swoops too close, or a massive Alligator Gar glides by, this spider doesn’t run toward the shore. She, as we say in Cajun French, simply plonges (plunges/dives). Happily, for her, she’s not drowning. She’s engaging in a peculiar act of biological brilliance.
Her entire body is covered in fine, dense hairs. As she slips beneath the surface, these hairs trap a thin, glistening layer of air, her personal silvery scuba suit, that surrounds her like a portable bubble. She becomes a living submarine. She can cling to an underwater root, or the submerged bark of a Bald Cypress tree.
There she sits, breathing her little pocket of swamp-air, and waiting out the trouble for up to half an hour. She makes the L’Affaire Fini threat simply disappear. That fact, c’est vrai (that’s true), is a mighty fine trick.
Now, here is where the bayou’s natural spider oddity connects to a deeper, more human reality. She shows how to tell scientific facts about climate change and its effect on nature factually without putting your audience to sleep. That’s because the constantly-evolving existential crisis of the climate often feels a lot like that of the ol’ White Heron. It’s a huge bad case of the vois-là, an inevitable danger that you can’t run away from.
The way some creative technical writers are trying to capture that reality is just as strange as a certain spider species’ scuba dive. When you can’t outrun the misère (misery/trouble), you have to find a new way to tell the story.
This is so much like very act of writing creative nonfiction through the climate crisis has its own set of odd, profound, and fun facts:
Odd Fun Facts of Writing the Existential Reality
1. The “Slow Violence” Problem Demands New Forms
The climate crisis rarely involves a neat, dramatic explosion. It’s mostly “slow violence.” The gradual, almost invisible rising of the water, the creeping salinity, the erosion of the marsh. The odd challenge for the Louisiana writer, is that they have to invent entirely new, often experimental, narrative techniques just to make a slow-motion disaster feel as urgent as a gunshot.
This is why you sometimes see writers like us using techniques like fractured chronology, list-memoirs, or braided essays. They are desperate attempts to make the un-dramatic and continuous nature of environmental trauma feel viscéral (visceral) to the reader.
2. The Rise of the “Carrier Bag Narrative”
Forget the epic traditional story of the single hero conquering the storm. Many climate writers are advocating for author Ursula K. Le Guin’s concept of the “Carrier Bag Theory of Fiction.” The odd fun fact here is that the best climate stories shouldn’t have a single, satisfying plot arc (a triumph!). They should be a messy “bag” full of diverse voices, ongoing processes, small acts of loss, and fragments of hope.
Strive for mirroring the complex, non-linear reality of the crisis. This form rejects the idea that a single person can ‘solve’ the problem, instead emphasizing the power of collective, ongoing endurance. (snip)
More than half a million people flooded Washington, D.C., demanding civil rights for gay and lesbian Americans, now celebrated each year as National Coming Out Day. Many of the marchers objected to the government’s response to the AIDS crisis, as well as the Supreme Court’s 1986 decision to uphold sodomy laws in Bowers v. Hardwick.
The NAMES Project AIDS Memorial Quilt was first displayed there, bringing national attention to the impact of AIDS on gay communities, a tapestry of nearly two thousand fabric panels each a tribute to the life of one who had been lost in the pandemic.
<–The AIDS quilt, first displayed in 1987 in Washington, DC
trays with elaborate appetizers on toothpicks and skewers – Chaloner Woods/Getty Images
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Step back in time and into the kitchens of mid-century America, where no party would be complete without tiny morsels of food elegantly arranged on colorful plates to greet guests. In the 1950s, home entertaining was all the rage thanks to postwar prosperity and the rise of suburban living, and dinner parties became a cornerstone of middle-class American society. Hosts armed with cookbooks like “Betty Crocker” and “Good Housekeeping” perfected the art of elegant yet approachable hors d’oeuvres. Unlike more formal, old-fashioned dining customs, these appetizers were often served in the living room before dinner. In theory, they were meant to stimulate both the guests’ appetite and their conversation; in practice, they gave the host some breathing room to prepare for the elaborate meal ahead. Regardless, appetizers were expected to delight both the eyes and the palate. In the ’50s, presentation was everything.
Appetizers have been around since Ancient Greece, when feasts would begin with small plates of snails, sea urchins, and pickled cabbage to leave guests just a little hungry for the main course. Later, appetizers gained popularity across Europe, from Russian caviar to Scandinavian smorgasbords. By the 1950s, these bite-sized offerings were still relatively rare in everyday American cuisine but quickly became commonplace at formal banquets, weeknight dinners, and casual gatherings. From the ubiquitous shrimp cocktail to the adventurous rumaki, these classic nibbles came to represent hospitality, abundance, and the optimistic spirit of the era. Keep reading to discover the most popular appetizers that delighted hungry guests in mid-century America.
a green fruity punch served in glasses with garnishes – Primestock Photography/ShutterstockMore
When you picture a 1950s dinner party, you might imagine classic cocktails like martinis and highballs in every hand. But if you flip through cookbooks from that era, you’ll find that many hosts actually served fruitcocktails before dinner. These could take the form of diced fruit served in dainty sherbet cups, or a simple blend of fruit and vegetable juices presented in stemware. Far from being an afterthought, they were considered a refreshing and wholesome start to a meal, whether served on their own or alongside other appetizers.
Juice itself was a relatively new commodity at the time. During World War II, scientists developed frozen orange juice concentrate to provide soldiers with vitamin C. This innovation led to the formation of Minute Maid, which made juice more affordable and firmly established it as a household staple by the 1950s. Many baby boomers grew up drinking juice daily as a part of a well-balanced diet.
Cookbooks of the era reinforced the idea that juice cocktails were a sign of good hosting. Betty Crocker cheerfully advised (albeit in very dated language), “The clever wife has a simple appetizing cocktail ready for her weary husband when he comes home at night. Vegetable or fruit juices are at their best when two or three tart flavors are chilled and served ice cold in appropriate glasses.” A 1951 home economics textbook also suggested that a proper informal dinner should begin with cold tomato juice seasoned with spices, served alongside canapés as a complete appetizer. For more elaborate entertaining, Betty Crocker and Good Housekeeping recommended tomato-sauerkraut juice or even pineapple-lemon foam cocktails made with whipped egg whites.
Shrimp cocktail
a plate with shrimp on a bed of ice and a bowl of cocktail sauce – Bhofack2/Getty Images
Shrimp cocktail is a retro favorite that’s never really gone out of style. Visually striking and refreshingly simple, it epitomized mid-century elegance. Surprisingly, cocktail sauce was originally created as an oyster pairing; shrimp only took center stage in the 1950s. The shift came about due to dwindling oyster supplies and major advances in refrigeration. By the late 1940s, shipping fresh shrimp by truck had become standard practice, and suddenly, this once-coastal delicacy was available nationwide. Shrimp cocktails quickly became a glamorous staple, especially in the glitzy casinos of Las Vegas.
Cookbooks of the era eagerly embraced the trend, showcasing seafood cocktails with zesty cocktail sauces. Presentation was considered just as important as flavor. Betty Crocker’s 1950 cookbook suggested serving shrimp with chopped celery or skewering them on toothpicks for easy nibbling. Good Housekeeping’s 1955 cookbook offered more dramatic ideas — arrange the shrimp in a lettuce-lined sherbet glass for formal occasions, or, for casual living-room entertaining, serve them on a plate with cocktail sauce tucked into a hollowed-out tomato, grapefruit, or avocado shell. It also suggested adding a green garnish and keeping toothpicks on hand so guests could keep their fingers clean.
Deviled eggs
a close-up of classic deviled eggs – Samantha Gossman/Getty Images
A simple recipe with elegant results, deviled eggs have been a crowd-favorite appetizer for ages. In fact, deviled eggs are significantly more vintage than you might think — as in, 13th-century vintage. Medieval cookbooks include recipes for eggs filled with all kinds of ingredients, including saffron, mint, cilantro, and pepper. The term “deviled” didn’t come around until the late 1700s, when it was used to refer to dishes prepared with spicy seasonings, the idea being that the devil loved heat.
Deviled eggs were particularly popular appetizers in the 1950s. Advances in refrigeration made eggs easy to store, and their affordability and versatility made them a natural choice for home entertainers. They were simple to prepare, endlessly customizable, and visually appealing. Betty Crocker’s 1950 cookbook praised deviled eggs with poetic flair, describing them as “Mounds of savory yellow egg yolks in white frames. A stunning garnish and satisfying appetizer…food for picnics and parties.”
The basic formula involves mashing hard-boiled egg yolks with mayonnaise, mustard, or salad dressing and a handful of spices before piping the mixture back into the whites. Mid-century cooks often added their own twists, using ingredients like paprika, pimientos, minced ham, or dried beef to create deluxe versions of the bite-sized treat. Whether served at picnics, cocktail hours, or holiday spreads, deviled eggs embodied the 1950s love of practical and pretty appetizers.
Stuffed celery
a wooden plate with five stuffed celery pieces – Mariha-kitchen/Getty Images
A beloved retro appetizer perfect for summer picnics and cocktail parties, stuffed celery enjoyed a long stretch of popularity throughout the 20th century. Conceptually, it’s not far from deviled eggs — many recipes even use similar fillings, which is why the two often appeared side by side on appetizer platters. The appeal is easy to see: stuffed celery is incredibly easy to make, relatively light, and looks elegant on a serving dish.
Stuffed celery can be endlessly customizable. In the 1950s, Good Housekeeping suggested six variations, ranging from olive-nut and sardine-pickle fillings to pineapple-horseradish for more adventurous palates. Meanwhile, Betty Crocker kept it simple, suggesting a filling of Roquefort and cream cheese seasoned with Worcestershire sauce.
There are all sorts of ways to present stuffed celery, too. The stalks can be served whole, cut into bite-sized sticks, or pressed together and sliced into decorative pinwheels. Betty Crocker even suggested tying string around the stalks while they chill so the celery curls into appealing shapes. As with most mid-century appetizers, appearance was key. But the real charm of stuffed celery was the crisp and refreshing taste that didn’t spoil your appetite.
Pigs in a blanket
a baking tray with pigs in a blanket – Lauripatterson/Getty Images
Pigs in a blanket remain an enduring American favorite, beloved for their simplicity and universal appeal. They’re the perfect finger food: sweet, salty, savory, easy to make, and even easier to eat. Pigs in a blanket are a descendant of the British sausage roll but first started appearing in American cookbooks in the 1930s.
“The Joy of Cooking,” an iconic cookbook from 1936 that’s worth a pretty penny today, included a recipe for “Sausages in Pastry or Biscuit Dough.” By 1944, a U.S. military cookbook was calling them “Pigs in Blankets,” cementing the dish as a mainstay of American food culture.
Despite requiring only two ingredients, there is some room for customization. Betty Crocker recommended using Vienna sausage halves wrapped in thinly rolled pastry or rich biscuit dough, baked until golden and flaky. However, for an even more retro meat choice, you can substitute the hotdogs with Spam. Whether they’re making the rounds at a 1950s cocktail party or showing up at a modern potluck, pigs in a blanket have never really fallen out of fashion.
Dips and spreads
a bowl of dip surrounded by chips – NatalyaBond/Shutterstock
Dips and spreads were everywhere in the 1950s, a trend reflected in the sheer number of recipes found in cookbooks of the era. Most of these recipes revolved around soft dairy bases like cream cheese, sour cream, or mayonnaise, all of which had become more widely available thanks to the rise of home refrigeration. With reliable cold storage now standard in American kitchens, perishable ingredients could be shipped, stored, and served more safely, fueling a boom in dairy-rich appetizers.
There was also a clever shortcut that made dips a breeze — just one of many forgotten cooking hacks from a bygone era. One of the decade’s most enduring innovations was French onion dip. Sometime in the 1950s, an anonymous home cook discovered that stirring a packet of Lipton’s dehydrated onion soup mix into sour cream created a quick and delicious dip. The recipe caught on like wildfire. Lipton quickly embraced it, marketing the mixture as California Dip in advertisements that doubled as recipe cards. Soon, copycat versions hit the market, using the name French onion dip.
For homemade spreads, Betty Crocker offered combinations like cheese-anchovy or herring-apple, along with the infamous Hollywood Dunk, made with deviled ham, horseradish, onion, chives, and whipped cream. Typically served in the living room with colorful garnishes on a festive tray, dips and spreads epitomized the 1950s love of convenience and creativity.
Cheese ball
a nut-encrusted cheese ball with crackers – Liudmyla Chuhunova/Getty Images
Cheese balls were the life of the party in the 1950s. Like so many mid-century appetizers, they were popular because they were extremely simple to make, easy to customize, and had an undeniable visual appeal. After all, nothing says “Wow!”quite like a giant ball of cheese at the center of the snack table.
Legend has it that the very first cheese ball dates back to 1801, when a Massachusetts farmer presented President Thomas Jefferson with a colossal 1,200-pound wheel of cheese. However, the appetizer-sized version didn’t appear in print until 1944, listed in a Minneapolis cookbook. From there, the ’50s home-entertaining culture elevated cheese balls to a party staple that would remain popular throughout the rest of the century.
Cheese balls are typically made by combining cream cheese with shredded cheese, herbs, and spices. Some enterprising cooks even include a meaty element in their recipe, fortifying their cheese balls with dried beef. This mixture is then shaped into a sphere and rolled in chopped nuts or fresh herbs for added texture. Paired with chips or crackers, the cheese ball was the mid-century party centerpiece guests could literally gather around.
Rumaki
a plate with rumaki on toothpicks – Tim Bieber/Getty Images
Special occasions call for stylish appetizers, and rumaki was a trendy mid-century favorite. First introduced at Trader Vic’s in the 1940s, the dish fit neatly into America’s burgeoning tiki craze. The name might not ring many bells today, but rumaki is closely related to the vintage British seafood-based appetizer, Angels on Horseback. Its classic form features water chestnuts and chicken liver, both wrapped in bacon, marinated in soy sauce, and flavored with ginger and brown sugar.
By the 1950s, rumaki was a common feature at prominent U.S. tiki bars and Chinese-American restaurants, often appearing on pupu platters alongside egg rolls and chicken-on-a-stick. By the 1960s, rumaki had crossed into the suburban mainstream — it even makes a cameo on the TV show “Mad Men,“ when Betty Draper serves it at an international-themed dinner party.Trader Vic’s founder, Victor Bergeron, suggested the recipe came from Chinese cooking by way of Hawaii, but it’s more likely that it was his own invention. Authentic or not, rumaki embodied the mid-century appetite for exotic flavors in appetizer form.
I haven’t posted Clay Jones’s work in a while, though I’ve read it on Substack. His work is important, but I haven’t had the heart to post it; we all know what’s happening all around us, and I’d rather post solutions and mental health minutes. Anyway, this is news that is not good, though it could be so much worse. sigh
Unfortunately, this week I had a stroke and my right side is partially paralyzed. This means the streak is over, and I have to relearn how to use my hand and my voice.
Please bear with me until I figure this out. I appreciate everyone’s love and concern. I will see you when I see you.
This post was made with great difficulty using voice messaging. Please do not call or message me.
I love you all,
Clay Jones
Oh yeah. They also discovered I am diabetic, and of course, the Eurotrip is off. (snip)
Reality means nothing to tRump as he figures he can bully everyone into accepting what he wants reality to be in his dementia. Hugs
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