This is Part 1 of a four-part series on the origins of the border crisis: Read Part 2, Part 3, Part 4.
During President Joe Biden’s term, Border Patrol arrested an unprecedented number of immigrants who crossed illegally into the United States. Many believe Biden caused this increase in migration by reducing border enforcement. However, data obtained by the Cato Institute through the Freedom of Information Act (FOIA) challenges this narrative. In fact, the border crisis began before Biden took office and ended before he left.
From his administration’s first day in January 2021, Biden actually increased border enforcement—arrests, detentions, and removals of border crossers all increased. The prevailing narrative that blames Biden overlooks the real causes of the crisis: America’s robust labor market and bad immigration policies that incentivized illegal entries. However, Trump, not Biden, mostly started those policies. Biden eventually phased out some of them; he increased legal migration, and as the labor market cooled, the problem dissipated.
Summary
The main takeaways are:
Illegal immigration had already increased to a 21-year high before Biden entered office.
Biden immediately started increasing expulsions from his first day in office.
Biden tripled interior detention and increased border detention 12-fold.
Biden increased air removal flights by 55 percent over 2020 levels.
Biden negotiated broader expulsion deals with foreign countries than Trump.
Biden got many foreign countries to carry out crackdowns on illegal and legal migration.
Biden removed or expelled 3.3 million border crossers—three times as many as Trump.
Biden even managed to remove a similar percentage of crossers as Trump’s four years.
Despite Biden’s historic crackdown:
Expulsions did not deter migrants, even among demographics universally expelled.
The percentage increase in evasions of Border Patrol increased as much as Border Patrol arrests, implying that releases did not cause the crisis and that many people did not want Border Patrol to catch them but were undeterred by the threat.
Releases occurred not because Biden cut removals but because migration grew faster than the administration could increase them.
As a result, releases only occurred among specific demographic groups and in certain areas where removals were logistically complicated.
Biden could not easily remove groups to Mexico, like families, children, and immigrants from distant countries who were arrested in record numbers.
The actual causes of the increases in illegal immigration were:
Unprecedented labor demand, which incentivized and funded migration from around the world: From February 2021 to August 2024, there were more open jobs each month than in any month before Biden’s term began. During this time, economies worldwide were recovering far less quickly than the United States. As labor demand subsided in 2024, immigration fell.
Unprecedented access to information about migration through the Internet and social media: Internet access rose rapidly from 2018 to 2021, nearly doubling in Central America and reaching unprecedented highs in South America. Social media platforms gave people step-by-step instructions on migrating and connected them directly with smugglers. This opened migration from around the world, which contributed to the number of releases.
Novel and perverse enforcement policies: The Title 42 expulsion policy incentivized repeat crossings by returning people to Mexico, where they could immediately attempt to re-enter the United States. Title 42 also cut off access to asylum, incentivizing more Border Patrol evasions.
Novel and perverse legal migration policies: Title 42 not only banned asylum for people who crossed illegally but also prohibited legal entries by asylum seekers, including demographic groups that had traditionally always entered legally, like Haitians, Cubans, and Mexican families. Biden eventually increased legal entries by these groups and others, limiting the crisis’s extent and ultimately contributing to its end.
The border crisis did not end because Biden signed an executive order in June 2024. If he had signed his border executive order in 2021, it would have merely duplicated what Title 42 was already doing: ban asylum. Moreover, the border executive order did not significantly change the downward trend in arrivals in 2024, which had already fallen in half during the five months before he signed it. Finally, the order did not increase removals. Rather, the crisis primarily ended because labor demand subsided significantly and because Biden expanded legal migration.
I strongly disagree with the jury finding here. She was shoved and jostled by ICE personnel in an attempt to have a reason to throw the congress woman out. Please notice the congress woman is black. Why go after her and not the other members of congress who were there? Why jostle and bump her and not the others? Clearly it is bigotry. There is a video at the link below that won’t embed here. Hugs
Democracy Now! speaks with Congressmember LaMonica McIver of New Jersey, who is facing up to 17 years in prison stemming from an incident last May when she and two other Democratic congressmembers sought to inspect Delaney Hall, a private prison run by the GEO Group under contract with ICE. The federal government claims McIver assaulted an immigration officer. “I’m not going to let them bully me out of doing my job. I’m just not,” says McIver, who describes conditions at the prison as dismal. “There was an entire riot at the same detention center because detainees were not getting food.”
TRANSCRIPT
This is a rush transcript. Copy may not be in its final form.
AMY GOODMAN: This is Democracy Now!, democracynow.org. I’m Amy Goodman.
We go now from New Jersey’s most famous musician to New Jersey Democratic Congresswoman LaMonica McIver. She’s facing up to 17 years in prison, stemming from an incident last May when she and two other Democratic congressmembers went to inspect Delaney Hall, the private immigration prison run by GEO Corporation under contract with ICE. The federal government claims McIver assaulted an immigration officer as federal agents were arresting Newark Mayor Ras Baraka, who had accompanied the congressional delegation to Delaney Hall. Congressmember McIver has vehemently denied the charges. This is a brief clip of the scene outside the ICE jail that day.
AMY GOODMAN:Ten days later, then-acting U.S. Attorney for New Jersey Alina Habba dropped the charges against Newark Mayor Ras Baraka, but at the same time, she announced three felony charges against Congressmember McIver, including assaulting, resisting, impeding and interfering with federal officers. Not since 1799 have such charges been brought against a House member. Alina Habba is the former personal attorney for Donald Trump. In December, she resigned after a panel of federal judges ruled she’s serving in her position unlawfully.
Members of Congress have the oversight authority to visit DHS facilities without prior notice, but the Trump administration has repeatedly attempted to restrict or thwart that access.
We go now to Newark, where we’re joined by the Democratic Congresswoman LaMonica McIver.
Welcome to Democracy Now!It’s great to have you with us. We have spoken with Mayor Ras Baraka several times. This is our first time talking to you. Explain the state of the case against you. I mean, the judges already ruled that the U.S. attorney, Alina Habba, the former private attorney of President Trump, was serving illegally. But you still have these charges against you that she brought?
REP. LAMONICA McIVER: Yes. Well, first of all, thank you so much for having me, Amy. It’s great to be on with you.
Yes, you’re absolutely correct. These charges are still pushing forward. I’m still fighting it. I’m in the second stretch of that fight, as we filed an appeal to the 3rd Circuit Court to basically have these charges dismissed based off legislative immunity. As you so clearly laid out, you know, I was there to do my job, to conduct oversight, along with two of my other colleagues, when ICE and DHS created that whole fiasco that happened out there. And so, we’re looking forward to taking the case, you know, to getting these charges thrown out, and looking forward to being in front of a judge at the 3rd Circuit in a couple of months. And so, we’re just waiting on that process right now.
AMY GOODMAN: So, but explain what you were doing. It relates certainly today, as some judges have ruled that the Trump administration can delay congressmembers or legislators from inspecting these facilities. In May, talk exactly about what happened, about why you were at Delaney Hall, what it is, for a global audience, you and two other congressmembers, and then what happened to Ras Baraka and what happened to you.
REP. LAMONICA McIVER: So, of course. So, we went there for an oversight visit, which is something that Congress, you know, statutorily have the right to do. We can show up to any ICE facility and have an inspection, unannounced, announced. That’s, you know, in statute for us to do that. And so, me, two of my colleagues from New Jersey — which we have done in the past before. We’ve showed up to ICE, a ICE facility in New Jersey, other than Delaney Hall, and conducted an oversight visit. And just that day, we were going to Delaney Hall. We had gotten a lot of calls about Delaney Hall. We had no idea that this facility had opened up. The mayor of the city had said that this place was not cooperating with city guidelines. And so, we’re like, “Hey, we need to go here and check this place out.”
Mayor Baraka did not accompany us to the facility for the oversight visit. It was literally just members of Congress. Mayor Baraka showed up later, because he was coming there for the press conference that we were having after our tour. But he was not there to come with us on the visit. I mean, he had been showing up there at this facility every day prior to us coming, because, once again, this facility has, basically, you know, just refused to adhere to city guidelines as it relates to inspections and fire code inspections. They claim they are a federal facility, but they’re not. It’s a private prison that has a contract with the federal government. They’re not a federal facility.
And so, we showed up there to have our oversight visit, and we were met with an army of ICE agents, of folks from DHS. I mean, we had — I had never experienced anything like that, nor had we when we went to another facility to inspect that facility. And so, they created a whole fiasco, you know, unlawfully arrested the mayor for trespassing, after they let him into the gate. I mean, it was just a whole complete nightmare there that day, with them basically trying to restrict us from having oversight of this facility. Just days later, I mean, they put out this whole new protocol from DHS that said congressmembers had to give seven days’ notice for them to show up to have oversight, just constantly trying to stop Congress from having oversight and holding the administration accountable. And we continue to see this from last May and now continuing on each and every day with the different scenarios from this administration.
And so, I continue to show up to do oversight, continue to hold this agency, but also these facilities, accountable. I’ve been back to Delaney Hall since then. I had a detainee who died there. A 42-year-old Haitian immigrant who was completely healthy before going to this facility died within 24 hours of being at this facility. And so, I went back there to have an inspection. A couple of weeks after we went last May, there was an entire riot at this same detention center, because detainees were not getting food. They were starving. And detainees were upset about that, and they had a whole riot. And they had about four detainees who escaped through a makeshift wall there.
So, that just goes to show you why oversight is so important and why we have to continue to apply pressure and do our jobs as members of Congress and, you know, go to these facilities. You know, the government has said, hey, I went there, we were there to protest, we were there to do all of these things. But we didn’t go there for anything. I didn’t go there for a protest. We went there for one reason, and that one reason was to go there to protect the people who were there, to find out what was going on, to make sure that things were going — running OK inside this facility, which we have the right to, and that is our job to do so. And so, you know, we’re going — I’m not going to stop doing what I’m supposed to be doing and what the people of the 10th Congressional District here in New Jersey have elected me to do. And that is to protect them and hold this administration accountable.
AMY GOODMAN:You were there with New Jersey Congressmembers Rob Menendez and Bonnie Watson Coleman. Now what is your legal situation? So often in these cases of political persecution, the process is the punishment. The New Yorkernotes, in December —
REP. LAMONICA McIVER: Correct.
AMY GOODMAN: — you had already racked up close to a million dollars in legal fees. What do you think this message sends to congressmembers, legislators all over the country: If they stand up for their constituents, as they say — as you say you were doing, you’ll be personally bankrupted?
REP. LAMONICA McIVER:Yeah, I mean, you’re absolutely right. The process is the punishment. This is what they’re doing. They’re doing this with your taxpayer dollars, prosecuting a member of Congress for doing their job. It doesn’t cost them anything, because they’re using taxpayer dollars to do so. But I think what it does is it inserts fear in other leaders to step up and hold the administration accountable. It’s intimidation. It’s bullying. And they’re just using me as a tool and a prop to do so. And that’s why I continue to stress how urgent, like, my case is, not because it’s about me, but it’s about the broader picture of how they are trying to stop congressmembers from doing their job, I mean, and it’s awful. But at the same time, that’s why I continue to push forward, continue to work for the people of the 10th Congressional District and protect them from this administration, specifically ICE, because I’m not going to let them bully me out of doing my job. I’m just not. They’re not going to bully me from stopping my work, and they’re not going to take away my joy while I do it.
AMY GOODMAN: Congressmember McIver, as we are broadcasting, the White House so-called border czar, Tom Homan, just finished speaking. He held a news conference around 7 a.m. Minnesota time. He said ICE and CBP are working to, quote, “draw down” the number of federal agents in Minneapolis. This is some of what he said.
TOM HOMAN: State and local law enforcement — again, I appreciate they all acknowledged that we do have federal immigration laws in this country that have been passed by Congress, and that ICE is in fact a legitimate law enforcement agency charged with enforcing those laws. We’re not making this up, folks. ICE is enforcing laws enacted by Congress. They’re in federal statute.
That said, I’m not here because the federal government has carried its mission out perfectly. First thing I said to senior staff when I walked in here is what I told you earlier. I didn’t come here looking for photo ops or headlines. I come here looking for solutions. I do not want to hear that everything that’s been done here has been perfect. Nothing’s ever perfect. Anything can be improved on. And what we’ve been working on is making this operation safer, more efficient, by the book. The mission is going to improve because of the changes we’re making.
AMY GOODMAN: So, that is the so-called border czar, who seems to have been sent to Minneapolis to replace Greg Bovino, the head of CBP. I’m used to saying CPB, the Corporation for Public Broadcasting, but President Trump ended that. So it’s all about CBP now, Customs and Border Patrol. And he’s been sent off to California. But there is Tom Homan, the man who was being investigated by the FBI, until a few weeks ago, for taking a Cava bag filled with $50,000 of cash from two undercover FBI agents. That investigation has been squelched, though some of your fellow congressmembers are calling for the video of him accepting that cash, people like Congressmember Raskin. But I’d like to ask — end by asking you about whether you think the government is going to be partially shut down this weekend, and to respond to — you were really the precursor to Minneapolis, but to respond to what the Senate is threatening to do, as they say they want to separate DHS funding from the rest of the budget, and if the Republicans don’t agree to, they won’t vote for the bill.
REP. LAMONICA McIVER: Yeah, well, I truly believe we’re heading to a shutdown, because at the end of the day, look, who can — who can even approve or give this agency, this rogue agency, that we’ve seen murder two people in broad daylight in the last couple of weeks — how can we give them more money? Like, why would the Senate give them more money to operate? Obviously, there are some big issues within this department, that is not operating, you know, effectively, and so they should not be given more money to cause more problems and more hurt and to terrorize American citizens. And so, I do truly believe we’re going to go to a shutdown. It’s shameful that Republicans in charge in the Senate won’t separate out the DHS funding and deal with the rest of the funding, but they want to continue to, you know, be scared of Donald Trump, and they’re, you know, keeping this package deal together, instead of separating it out, knowing that they have issues. So, I truly believe we’re definitely going to be heading to a shutdown.
AMY GOODMAN: Democratic Congressmember LaMonica McIver, speaking to us from Newark, New Jersey. Thank you so much for joining us.
Coming up, we look at how ICE is using facial recognition technology to track immigrants and protesters — or, as the government calls them, agitators — in Minnesota and across the country. But first, more Bruce Springsteen.
[break]
AMY GOODMAN: “Streets of Minneapolis,” just released by Bruce Springsteen, who definitely doesn’t need facial recognition technology to recognize him or his voice.
Amy Goodman is the host and executive producer of Democracy Now!, a national, daily, independent, award-winning news program airing on more than 1,100 public television and radio stations worldwide. Time Magazine named Democracy Now! its “Pick of the Podcasts,” along with NBC’s “Meet the Press.”
Trump throws red meat out regularly when trying to divert attention or he thinks his base isn’t solid. The very reason he was first elected was due to the underlying racism and sexism in this country. Trump just gave them permission to say it out loud.
If you believe that a message of love and unity is in opposition to everything you stand for, and you have to fight it with every fiber of your being, then you are either Darth Sidious, Hitler, or Donald Trump.
Why would you take a message that says, “The Only Thing More Powerful Than Hate is Love” as something hostile and political? Because it’s in Spanish and everything you’re about is hate?
Last night after the Super Bowl, Trump posted to social media, “The Super Bowl Halftime Show is absolutely terrible, one of the worst, EVER! It makes no sense, is an affront to the Greatness of America, and doesn’t represent our standards of Success, Creativity, or Excellence. Nobody understands a word this guy is saying, and the dancing is disgusting, especially for young children that are watching from throughout the U.S.A., and all over the World.” (Snip-MORE, and it’s hot)
A democratic senator is speaking out against ICE and doing so forcefully. I appreciate him doing this. Where is Chuck Schumer? At least he is not getting in the way of others trying to get the democrat’s message out to the people. Hugs
Since I started reading here at Scottie’s, I’ve thought especially of Bayard Rustin during Black History month. I learned of him (aside from him being at the side of Rev. MLK Jr.) from The Nation magazine back in the early 1990s. Mr. Rustin finally got a movie in 2023, and I’ve wondered about other representation within. There is a veritable trove of information, so here is some of that. Enjoy with your favorite beverage. -A.
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Voice of the day
God does not require us to achieve any of the good tasks that humanity must pursue. What God requires of us is that we not stop trying. – Bayard Rustin
it’s important to note the amount of BIPOC Queer History that has been an integral part of American history but has unfortunately been largely erased. Queer history surrounding people of color is deeply interwoven with American history, revealing critical insights into the nation’s progress in civil rights, social justice, and cultural evolution. To understand American history fully, it’s essential to acknowledge how Black queer individuals have shaped and influenced pivotal movements, art, and thought in the U.S. Despite facing intersectional challenges related to both race and sexual orientation, Black queer Americans have persistently fought for visibility, acceptance, and equality, contributing a legacy that has strengthened America’s commitment to inclusion and diversity.
Black queer history includes significant contributions to American arts and culture. From the Harlem Renaissance to contemporary music and fashion, Black queer individuals have played central roles in defining American aesthetics and storytelling. The Harlem Renaissance of the 1920s, for example, was driven by several Black queer artists, including poets like Langston Hughes and novelists like Richard Bruce Nugent, whose works celebrated Black identity while also subtly addressing queer themes. These artists expanded narratives around Black life in America, blending the experiences of race and sexuality into a singular, expressive voice.
The contributions of Black queer Americans to political activism are also inseparable from American history, especially when considering the origins of LGBTQ+ advocacy. These activists confronted police harassment and societal prejudice, laying the groundwork for the LGBTQ+ rights movement in the U.S. (snip-click through to see the stories)
African American literary critic and professor Henry Louis Gates once reflected that the Harlem Renaissance was “surely as gay as it was Black, not that it was exclusively either of these.” Gates’s comments point to the often-overlooked place of the Harlem Renaissance within queer history.
The Harlem Renaissance, a literary and cultural flowering centered in New York City’s Harlem neighborhood that lasted from roughly the early 1920s through the mid-1930s, marked a turning point in African American culture. Developments from Zora Neale Hurston’s folklore-influenced fiction to Duke Ellington’s colorful orchestrations reflected an assertive and forward-thinking Black identity that philosopher Alain Locke dubbed “The New Negro.”
Black queer artists and intellectuals were among the most influential contributors to this cultural movement. Like other queer people in early twentieth century America, they were usually forced to conceal their sexualities and gender identities. Many leading figures of the period, including Countee Cullen, Bessie Smith, and Alain Locke, are believed to have pursued same-sex relationships in their private lives, even as they maintained public personas that were more acceptable to mainstream audiences. From a modern vantage point, the work of these artists and their peers is part of the foundation of modern Black LGBTQ art.
Top row l to r: Gladys Bentley, ca. 1940. 2013.46.25.82; Countee Cullen by Carl Van Vechten, 1941. Courtesy Library of Congress, Prints and Photographs Division; Alain Locke by Winold Reiss, 1925. National Portrait Gallery, Smithsonian Institution. Ethel Waters as Carmen by Carl Van Vechten, 1934. 2010.42.4 Bottom row l to r: Bessie Smith from Delegate magazine, 1975. Gift of Anne B. Patrick and the family of Hilda E. Stokely. 2012.167.9; Jimmie Daniels, early 1930s. Gift of Paul Bodden in memory of Thad McGar and James “Jimmie” Daniels. TA2020.19.3.1; Alberta Hunter, date unknown. Gift of Paul Bodden in memory of Thad McGar and James “Jimmie” Daniels. A2020.19.1.2
(snip-do click through to see. There is a wealth of history: writers, blueswomen, entertainers. There is even a video they cannot play due to restrictions, and then yet more historical information.)
Throughout February, in honor of Black History Month, we’ve been busy on Stonewall’s Instagram highlighting some of the lesser-known figures in queer Black history. These bold individuals lead with bravery and authenticity, moved the needle on LGBTQ liberation and racial justice, and paved the way for future generations. Each one of these icons should be a household name! Read on to learn some of the hidden history of our intertwining and ongoing struggles for equality.
Frances Thompson – Trans Rights Pioneer
Believed to be the first transgender woman to testify before the United States Congress, Frances Thompson was born into slavery in 1840. Living as a free woman by the age of 26, Thompson was an advocate for bodily autonomy, an anti-rape activist, and she played a pivotal role in getting the US government to enact legislation protecting the civil rights of newly emancipated Black people.
Thompson’s bold legacy lives on today as we continue fighting for self-determination, dignity, and justice for queer and trans people. Her story serves as a reminder that queer and trans people have always been here, and we always will be. Always.
One of the most pivotal – yet often forgotten – figures of the Civil Rights Movement, Pauli Murray was a Black, queer, feminist lawyer who dedicated a lifetime to challenging preconceived notions of race, gender, sexuality, and religion. Murray pioneered many of the non-violent protest tactics of the Jim Crow era, and authored legal arguments that played a pivotal role in outlawing systemic racism and sexism.
Many of Murray’s contributions to the Civil Rights Movement were erased from the broader narrative as same-gender relationships and gender nonconformity disrupted the respectability expectations of the era. Many historians believe that if the language existed at the time, Murray may have identified as a trans man.
Later in life, Murray became an Episcopal priest, and was eventually canonized as a saint – a queer saint!
After the death of his father in 1927, Norris B. Herndon assumed the role of president of Atlanta Life Insurance, turning the company into one of the most successful Black-owned business in the US. Using his wealth and influence to support the Civil Rights Movement, Herndon was a critical funder of Civil Rights efforts, and regularly gave generously to support MLK, Jr., HBCUs, the NAACP, and more. He even allowed key Civil Rights activist to use his offices for training purposes.
While he never publicly identified as gay or bi, many in his inner circle were aware of his relationships with men throughout his life.
Herndon’s legacy serves as a reminder of the important role that Black queer individuals have played in shaping American history.
Ma Rainey, also known as the “Mother of the Blues,” was a pioneering blues singer and one of the first openly bisexual performers in the early 20th century. Her music often expressed themes of sexual freedom and gender identity that challenged prevailing attitudes of her time.
Rainey’s songs such as “Prove It on Me Blues” and “Sissy Blues” were widely considered to be bold and unapologetic expressions of her bisexuality, and her performances often featured drag queens and other gender-nonconforming artists.
Rainey’s visibility and outspokenness about her sexuality, at a time when queerness was widely stigmatized, helped pave the way for later LGBTQ performers and activists. Today, she is celebrated as an icon of queer representation in music history.
Marlon Riggs was a pioneering filmmaker and activist whose work focused on issues of race, sexuality, and identity, seeking to challenge and subvert stereotypes of LGBTQ and Black people.
In the early 1990s, Riggs’ films, including “Tongues Untied” and “Color Adjustment,” explored the experiences of Black gay men and the intersectionality of race and sexuality. His work helped to broaden mainstream awareness and understanding of LGBTQ and Black lives, and his films were highly influential in advancing Black and queer representation in media. Riggs also worked with organizations like the National LGBTQ Task Force and ACT UP to fight for the rights of LGBTQ people and folks living with HIV/AIDS.
Riggs’ legacy continues to inspire and inform the ongoing struggle for LGBTQ liberation and racial justice.
American history of resistance is a history of Black LGBTQ+ people. Advancements in civil rights and greater visibility of the LGBTQ+ community overall can be attributed to the efforts of Black LGBTQ+ folks; so much of what is popular and beloved in music, fashion, culture, and even language is because of the innovations and traditions of the Black queer diaspora. All of this is born out of the need to survive oppressive and violent conditions, distinguish themselves from their white LGBTQ+ counterparts who often enjoyed greater privilege.
When there are efforts to censor Black queer history in classrooms, to prevent trans folks from changing their gender markers or using the bathrooms they prefer, we must resist. Resistance of erasure is resistance to oppression.
This Black History Month, take a moment to learn about and honor the Black LGBTQ+ movements and people who have resisted throughout history.
The Cakewalk
What we know as the art of drag and ballroom today is born out of Black queer resistance to enslavement. The cakewalk, a dance performed by enslaved people, was meant to secretly mock plantation owners who frequently galavanted and gloated their expensive clothes. Their enslavers awarded the dancers cakes, unaware they were being blankly parodied. Later during the abolition period, “cakewalks” organized by the formerly enslaved served as a celebration of freedom and continued mockery of the enslavers, featuring attendees in extravagant costumes.
There is one particular person we can thank for the art of drag, and that is William Dorsey Swann, known now as the first drag queen. Swann, who was born into enslavement and survived to emancipation, was inspired by the “queens” of Washington D.C.’s Emancipation Day parades. He developed a form of dance for “glad rags,” also known as masquerade balls, and hosted cross-dressing balls for the community, many of which were raided by police.
This combination of dance performance and visual expression as a form of resistance survives in modern-day ballroom culture, famously depicted in the documentary film “Paris Is Burning.” Categories like “Executive Realness” serve as an opportunity for young Black queer folks — often denied positions of prominence in white society — to both mock the practices of the privileged and pretend to enjoy those privileges.
In the film, artist Dorian Corey notes: “Black people have a hard time getting anywhere. And those that do are usually straight. In a ballroom, you can be anything you want. You’re not really an executive, but you’re looking like an executive. And therefore you’re showing the straight world that ‘I can be an executive. If I had the opportunity, I could be one because I can look like one.’”
Bayard Rustin and the Civil Rights Movement
Many of us know about the work of Dr. Martin Luther King Jr., but not as many know about Bayard Rustin, an “angelic troublemaker,” his mentor and collaborator during the civil rights movement of the 50s and 60s. Rustin was in fact the primary organizer of the historic March on Washington in 1936, perhaps the most famous civil rights protest of all time. Rustin was also openly gay, and spent much of his life dealing with political and legal persecution because of it (recently depicted in the 2023 film “Rustin”).
Sorry this is late. I have been sick for three days. Just really worn and tired. But I will try to get more sleep and stop stressing and hopefully will feel better soon. I made a large baked ziti yesterday and I made pictures and videos so I will post them soon. Hugs
“F.Y.I.—he’s not ready to laugh at the cliché of violent authoritarianism in a failing kingdom.”
Making no profits has given this ethical failure and unassimilated racist immigrant the possibility to become a trillionaire through massive taxpayer-funded subsidies and outrageous tax cuts.
Scottie's Playtime 