Category: History
TN Advances Bills To Legalize Anti-LGBTQ Discrimination
February 13, 2026
Nashville’s NPR affiliate reports:
Tennessee lawmakers have advanced a host of anti-LGBTQ bills that would run counter to U.S. Supreme Court precedent. Two measures, both proposed by Rep. Gino Bulso, R-Franklin, would challenge landmark cases that legalized same-sex marriage and established protections for discrimination based on sexual orientation or gender identity.
Rep. Gloria Johnson, D-Knoxville, questioned the legality to going against Bostock v. Clayton County, which established that LGBTQ people are protected from discrimination under the Civil Rights Act of 1964. Tom Lee, member of the Board of Directors of the Tennessee Pride Chamber, spoke against the bill, arguing that it could allow discrimination against LGBTQ couples.
“Imagine if under this bill a private employer said, ‘Well, you can’t take family leave because I, as a private citizen, don’t recognize — using the language of the bill — your purported marriage,’” Lee said. “Or a bank says, ‘You’ll pay the higher rate (for unmarried couples). We’re not bound by the 14th Amendment. You’re not married in our eyes.’”
From my January 2025 report:
The Banning Bostock Act would codify that laws prohibiting sex discrimination would not prohibit discrimination against a person for being homosexual or transgender, nor would it prohibit discrimination because of sexual orientation, sexual behavior, gender identity, or gender non-conforming behavior.
Meanwhile, the next bill would allow private citizens, businesses, and organizations to refuse to recognize same-sex marriage, and protect attorneys from being punished for refusing to celebrate or perform a same sex marriage.
Bulso first appeared here in February 2024 for his ultimately failed bid to ban Pride flags, which he is now attempting again. In April 2024, we heard from Bulso when he objected to a ban on marriages between first cousins because gays can’t make babies. Last year Bulso launched a failed bid to fill the US House seat left open by the abrupt resignation of Rep. Mark Green.
Ooo! Spies! Black History Month
Black American Spies and Why They Were The Best
Black spies used their invisibility in plain sight to carry out some of the nation’s most important war efforts.

circa 1925: Portrait of American-born singer and dancer Josephine Baker (1906 – 1975) lying on a tiger rug in a silk evening gown and diamond earrings. (Photo by Hulton Archive/Getty Images)
When most people think of history’s American spies, they imagine a sleuthy white man, tracking troop movements, planting bugs and obtaining secrets under the radar of the enemy. What’s rarely imagined, let alone taught, is the role Black Americans played in espionage from the Revolutionary War through modern times.
Enslaved and free Black men and women slipped into rooms they weren’t meant to enter, cozied up to marks who underestimated them and quietly ran intelligence networks that relied on invisibility in plain sight. Here are Black spies whose intelligence work shaped history.
Mary Elizabeth Bowser

Dubbed the “baddest bitch in history” by Comedy Central, Bowser became known as one of the Union’s most daring Civil War spies. Literate and underestimated, Bowser worked as an undercover agent from inside the Confederacy’s most vulnerable locations — Confederate President Jefferson Davis’s home, according to African American Registry.
Masking her intelligence by pretending to be bat sh*t crazy, “Crazy Bet,” as she was known, used a rumored photographic memory to collect important military information and pass it on to Ulysses S. Grant.
James Armistead Lafayette

James Armistead Lafayette was born enslaved but became a master of deception during the American Revolution. According to America’s Army Museum, he disguised himself as a runaway, infiltrated British camps, delivered key intelligence to the Marquis de Lafayette and fed false information to the enemy. His double agent work was crucial at Yorktown in 1781.
With Marquis de Lafayette’s support, he later won his freedom and dropped his enslaver’s name.
Josephine Baker

Josephine Baker was a known boundary-breaking dancer, singer and international icon, but few knew she was also a World War II spy for the French Resistance. Though she spied on behalf of France rather than the U.S., Baker belongs in this conversation about Black espionage.
At the height of her fame, Baker used her celebrity to move through elite European society and collect information on Nazi Germany and other Axis powers, according to History.com. Baker hid intelligence in invisible ink on sheet music and pinned notes inside her clothing, later explaining, “nobody would think I was a spy.”
Her bravery earned her France’s highest military honors.
Debra Evans Smith

While working in Records Management, Debra Evans Smith attended the FBI Academy after gaining nine pounds to meet the minimum weight requirement.
When only one percent of Black women were spies, Smith was drawn to counterintelligence. She volunteered for surveillance, learned Russian, and spent four years handling Russian counterintelligence in Los Angeles, conducting interviews and investigations in the language, according to the FBI. For her, the work was never about individual cases—it was about serving the country.
Abraham Gallaway

If you’ve never heard of Abraham Gallaway, that’s no accident. According to historian Dr. David Cecelski, Gallaway may have been the most important Southern war hero, but his legacy was erased when North Carolina rewrote its own history in the late 1800s, depicting enslaved people as “docile.” Gallaway’s story did not fit their narrative.
Born enslaved in 1837 near Wilmington, N.C., he escaped at 19. Gallaway became a “master spy” for the Union Army during the Civil War, providing military intelligence from within the South and establishing a spy network. He also became a state senator, according to 6 ABC. Today, his story is preserved at the North Carolina Museum of History.
Mary Louvestre
Mary Louvestre (sometimes spelled Touvestre) was a free Black woman who would not take no for an answer. Working as a seamstress in Virginia, she stole documents about troop movements and walked to deliver them to Union officials in Washington, D.C. When officers brushed her off, hesitating to meet with her, she kept going back until they listened.
Darrell M. Blocker
Darrell M. Blocker spent 32 years in U.S. intelligence, retiring in 2018 as the most senior Black officer in the CIA’s Directorate of Operations and earning the Distinguished Career Intelligence Medal. A second-generation intelligence professional, Blocker’s work took him to dangerous territory in places like Iran and North Korea, according to the International Spy Museum.
Having lived in 10 foreign countries, he has held titles including Deputy Director of the Counterterrorism Center and managed the CIA’s Ebola response.
Recently, he flipped his knowledge into a role as Hollywood creative consultant.
Harriet Tubman

Harriet Tubman was more than the Underground Railroad’s “Moses.” She made power moves in the Union Army, using her reputation to recruit Black scouts. Tubman gathered intel no one else could. According to Brandeis University, she became the first woman to lead a U.S. military raid in 1863, which freed 750 people and sealed her acumen as a true strategist.
George E. Hocker, Jr.

George E. Hocker, Jr., a Washington, D.C. native, joined the CIA in 1957 while studying at Howard University. Working as a file clerk to fund his education, he stopped short of aspirations to work as a spy because CIA leaders told him Black people were not intelligent enough or able to “blend in.”
He believed them … until the 1963 March on Washington inspired him to pursue his dream despite racism. During the Cold War, Hocker gathered intelligence in Africa and later went to Latin America, risking his life on dangerous assignments. Hoker never lost sight of the fight at home, stating, “While I was fighting for my country’s interests abroad, my fellow Black Americans were facing war zones of their own at home,” as quoted in Newsweek.
Robert Smalls

Born into slavery in 1839 in Beaufort, South Carolina, Robert Smalls rose to become a skilled pilot on the Confederate transport CSS Planter by his early twenties. In a bold act of courage in 1862, he seized the ship, picked up his family, and navigated past Confederate forts under the guise of a captain, delivering the vessel safely to Union forces. Smalls went on to become the first African American to command a U.S. naval vessel, and after the war, he purchased his former enslaver’s house, reclaiming a space that had once symbolized his bondage.
Observing Black History Month
The Story of 10 Black Models Becoming Legends at the Battle of Versailles Fashion Show in the 1970s
In November 1973, 10 Black models helped put American fashion on the map in an epic runway face-off with well-known French designers. In honor of the start of New York Fashion Week, here’s their story!

Models dressed in midriff-bearing tops and oversized bottoms of solids, stripes and plaids worn with headresses during the fashion show to benefit the restoration of the Chateau of Versailles, five American designers matching talents with five French couturiers at the Versailles Palace on November 28, 1973 in Versailles, France…Article title:’One night and pouf! It’s gone! (Photo by Fairchild Archive/Penske Media via Getty Images)
We know that for most people, February is all about the Super Bowl, Valentine’s Day and Black History Month. But if you love style, you know it’s also about New York Fashion Week – a time for some of the hottest designers to showcase the latest trends — kicking off Wednesday (Feb. 11).
While we’re going to be all over covering what’s new from Sergio Hudson and Public School, we thought this week was also a perfect time to show some love to the Black designers and models who paved the way for future generations.
We’re kicking things off with the story of 1973’s Battle of Versailles fashion show –an epic stand-off between French and American designers in Paris. The highly-hyped event not only put American fashion designers on the map, but it also put a spotlight on a group of 10 Black models who shut down the red carpet and showed the rest of the world the beauty in having a diverse runway that looked more like the rest of the world.
A Palace in Need of Repair

The Palace of Versailles is an iconic French landmark. The stunning estate became the official royal residence in 1682. But while it has been a tourist destination for quite some time, in the early 1970s, the 17th century palace was in desperate need of a $60 million glow-up to repair years of damage.
A Fabulous Fundraiser

American fashion publicist Eleanor Lambert knew $60 million dollars wasn’t small change, so she proposed the idea of a fashion show to raise money for the Versailles repair project. Working with the palace curator, Gerald Van der Kemp, she wanted to invite some of the wealthiest elites from around the world to view collections from fashion designers from France and the United States. Lambert believed the ticket sales would help bring in much-needed funds for the palace project and give American designers a chance to prove their talent on the world stage.
The French Designers

Lambert’s idea got the green light, and the date was set for Nov. 28, 1973. The French assembled an all-star lineup of designers, including Hubert de Givenchy, Yves Saint Laurent, Pierre Cardin, Marc Bohan (Creative Director for Christian Dior) and Emmanuel Ungaro. Ready to show the international audience that Paris was the fashion capital of the world, they planned more than an ordinary runway show, but a production that featured live music, dance and an extraordinary set.
The American Designers

The American team accepted the challenge and built a roster that included designers Oscar de la Renta, Halston and Bill Blass. Unlike the French, Team USA brought a little more diversity to the event, with the only woman designer, Anne Klein, and Stephen Burrows, a Black graduate of New York’s Fashion Institute of Technology, who made a name for himself with his colorful, lightweight knit designs and signature lettuce hem.
News of the show got lots of press in both the United States and France. John Fairchild, who was the editor of Women’s Wear Daily at the time, helped add to the hype, billing the event “The Battle of Versailles.”
Choosing Models

The budget for the event was tight, causing some of the more well-known models of the time — like Jerry Hall and Lauren Hutton — to turn down the $300 job. But their decision left the door open for a group of talented and beautiful Black models who were happy to step in and help bring the designer’s clothing to life. In the end, the American show featured 10 Black models – Billie Blair, Bethann Hardison, Pat Cleveland, Amina Warsuma, Charlene Dash, Ramona Saunders, Norma Jean Darden, Barbara Jackson, Alva Chinn and Jennifer Brice – making it one of the most diverse runways the fashion industry had ever seen at a major show.
Americans in Paris

Although they weren’t paid much for the gig, many of the Black American models chosen for the show jumped at the chance to participate in a high-profile international event. Pat Cleveland remembers how excited many of the models were when they first set foot on French soil.
“They got out of the bus and kissed the ground, they were so happy,” she said.
A Not-So-Warm Welcome

Although the city of lights was beautiful, the American designers and models did not feel the love in France. Designer Stephen Burrows confirmed that their accommodations were far from five-star.
“There was no toilet paper in the bathroom. It was terrible,” Burrows said. “They had the girls there working all day long and didn’t feed them.”
Rehearsal Drama

The French weren’t any more gracious when it came to the rehearsal time, using up most of the days leading up to the show to run through their performance –leaving the American team to make the most of the middle of the night.
A Star-Studded Guest List

The idea of a showcase featuring some of the best in American and French fashion attracted a who’s who of high-profile stars, including Elizabeth Taylor, Liza Minelli (who took the stage during the American show) and Andy Warhol.
The French Performance Was a Production

On the night of the show, the French took the stage first, with a 40-piece orchestra, more than $30,000 worth of props and performances from well-known Soviet ballet dancer Rudolf Nureyev and legendary performer Josephine Baker along with their designer’s collections. American model Bethann Hardison remembered the French designer’s elaborate presentation that lasted for more than 2.5 hours.
“They had everything. You just couldn’t believe all the entertainment they had,” she said. “It was like a circus. The only thing they didn’t do was shoot a man out of a cannon.”
The Americans Met the Moment
After the French showcase, it was Team USA’s turn to take the stage. Although they walked to music on a cassette tape instead of a live orchestra, they met the moment, with the Black models showing off their rhythm as they floated down the runway. Although their show was only 35 minutes, they left the audience – who gave them a standing ovation – wanting more.
Making Fashion Ready-to-Wear

While the French showcased classically tailored clothing conceived with a wealthy client in mind, the American designers were looking toward the future and embracing a growing shift towards ready-to-wear pieces that were accessible to a wider audience. The designers weren’t afraid to add color and pattern to a collection that was made for time.
The Power of Diversity

Filmmaker Deborah Riley Draper captured the magic of the Battle of Versailles in the documentary, “Versailles ’73: American Runway Revolution.” In an interview with CBS, she emphasized the importance of this groundbreaking moment in fashion history.
“What America was able to do was to demonstrate that diversity and inclusion on the stage was the most powerful weapon they could have,” she told CBS in an interview.
Mid-Monday comic
I lol’d. Still grinning each time I look at it while I post it. 😄

Election clips including tRump’s racism saying it is corruption to have black people vote
2 MS Now clips on the administrations racism / ICE and attempts to whitewash history to remove words like racist. The goal is to erase anything that makes white people look bad.
Responding to Speaker Mike Johnson
Short clips from MS Now on tRump’s racism
The video below details some of the racist attempts to purge black people from positions of authority and to erase the racist history of attacks on black people over time. The video also explains how tRump ordered the agencies of his government to remove black hoildays from the list of free entry days at national parks and instead replaced them with his birthday. This is simply the whitewashing of history, the removing of evidence of the massive racism / damage done to black people in the past, and the purification of the US as a white ethnostate. Just look how tRump refers to black journolists. Hugs
Body Cams Won’t Protect Us
Notice that she mentions that Schumer caved on the one demand the democrats were fighting for during the government shutdown, while the public supported us. He got a promise for a worthless vote in the senate but not the House. A vote he knew would fail. Why cave, because the filibuster was on the line and both parties are desperate to keep that to prevent the status quo of supporting the donor class from changing. She is talking about body cam footage which the democrats are demanding, but 90+% of the time they were not used against the officer but the victim. The officers who killed Pretti had body cams but that footage has not been released. Hugs
